This Traveltalk series short visits the village of Chichicastenango, Guatemala and emphasizes the influence of the Mayan culture on its people. It shows how the residents intermingle ancient religious practices with Catholic teachings. Narrator James FitzPatrick introduces, and greets on camera, Father Ildefonso Rossbach, a Catholic priest who ministers to the local population in the village and outlying areas.

A documentary on the war between the Guatemalan military and the Mayan population, with first hand accounts by Nobel Peace Prize winner Rigoberta Menchú.

Documentary Eclectic Sounds of Guatemala, is a medium-length film about the electronic music scene in the Central American country, in which it emerged in the 1990s with the “Common Graves” parties. Later, over the years, record labels and groups of DJs emerged, such as: Cube Culture, Danzón Pérez, Intu Deep, Disco Rebels, among others. Participating in the documentary: Rod V, Carl nunes, Básico 3, Casta, Mickey Franco, Bruxxas, Mncve, Edu Pretz, Junior Rivera, Dubby Dub, Mario Palomo, Mariano Santolino, Gonzo.

In a world drifting further away from participatory food production, relying instead on large corporations to feed us, this film asks “What do we lose by giving up our responsibility to produce food?”

Denese Joy Becker, a manicurist living in Iowa, discovers she is indeed Dominga Sic Ruiz, a survivor from a 1982 Guatemalan massacre, when more than 200 people were killed in the small village of Rio Negro, after opposing the construction of a dam, sponsored by World Bank. She then tries to unveil the truth.

From Sierra de las Minas to Esquipulas, explore Guatemala's cultural and geological wealth, including ancient Mayan cities and other natural wonders.

MAXIMÓN - Devil or Saint is a documentary about the controversial Maya deity, also known as San Simon or the drinking and smoking saint of Guatemala. He is a mixture of ancient Maya beliefs and Christianity. The movie concentrates on the people who surround Maximón with their strong personalities, opinions and faith. The documentary gives us a rare view into the rituals and fiestas honoring Maximón. The cult of Maximón is flourishing because he performs miracles. He is also feared and despised because he is used to cast curses that can result in death. Ultimately, Maximón transcends the duality of good and evil, reflecting the Maya cosmovision in which everything in the universe co-exists.

Claudia Paz y Paz is the head of the Guatemalan Public Prosecutor’s Office. We follow her during her four-year mandate as the Attorney General of one of the world’s most dangerous countries. This documentary closely observes her attempts to break the downward spiral of a society where drug cartels, corruption and violence have become part of daily life. She manages to improve the country’s safety and justice issues but is met with much resistance. Her commitment to the rule of law is her strength as well as her destiny. At what price do four years of service as the Attorney General of Guatemala’s murder paradise come?

A joyous Guatemalan film about the magic and charm of puppetry. This documentary follows the charismatic artists as they make their puppets and perform. Both humorous and socially aware, their themes are drawn from classic stories, local legends and history.

Focuses on 1992 Nobel Peace Prize winner, Rigoberta Menchu, as she discusses the lack of human rights for the indigenous people of Guatemala and her commitment to the struggle for a more egalitarian society.

From the shadows of a Guatemalan neighbourhood scared into silence, two sisters lead a luminous rebellion—unleashing joy, art, and radical truth in a fight for survival.

Every day dozens of decommissioned school buses leave the United States on a southward migration that carries them to Guatemala, where they are repaired, repainted, and resurrected as the brightly-colored camionetas that bring the vast majority of Guatemalans to work each day. Since 2006, nearly 1,000 camioneta drivers and fare-collectors have been murdered for either refusing or being unable to pay the extortion money demanded by local Guatemalan gangs. LA CAMIONETA follows one such bus on its transformative journey: a journey between North and South, between life and death, and through an unfolding collection of moments, people, and places that serve to quietly remind us of the interconnected worlds in which we live.