An anthropomorphic creature has trouble sleeping.

A short student film reflecting on the reality of living in the modern urban dystopia

A fascinating case of narrative deconstruction, THE SUICIDE SQUEEZE is a '40s style whodunit pressed through the wringer of an optical printer.

In 1969, Kenji, an elementary school kid and his friends built a secret base during their summer holidays. They fantasized that they had to fight villains who were out to conquer the world and wrote them in the Book of Prophecies. Years later in 1997, Kenji becomes a convenience store manager and leads a regular life after giving up his dreams to become a rock star. His boring life is suddenly turned upside down when his old classmate dies mysteriously and an entire family in the neighbourhood disappears. At the same time, a religious cult and its mysterious leader, Friend emerges and a strange chain of events duplicating exactly the events described in the Book of Prophecies follow. Is this the beginning of the end of the world? Who is Friend?

When Pim and Ploy, twins conjoined at the stomach, are separated, the operation leaves Pim the surviving sister, haunted by Ploy's vengeful ghost.

A journey to an unknown star, a children's theatre play, an untalented writer and the fear of becoming the worst version of oneself. A mixture of live-action footage and animated scenes. A stream of (un)conscious stereotypes.

A semi-found-footage artistic film exploring shifting self-perceptions and the horror of liminality.

A loop of a guy in Maine hanging out in his room.

A found footage examination of what happened at the lake today. Where were you? An exquisite corpse by Non Films. 8mm images randomly selected from found footage; poem written without images; music written without images or words. WINNER: BEST BROOKLYN PROJECT (Brooklyn Film Festival).

Mara—the spirit of the night, the weaver of darkened dreams—pressed upon my chest as sleep held me captive. My memory. In the haze of a dream, I saw those I loved, their faces bathed in an otherworldly glow. The nightmare was not the shadows nor the fear they whispered, but the cruel certainty of waking—of losing them to the morning light

A student moves into their accomodation, only to find their room already decorated, a strange, inhuman flatmate, and a kettle that won't stop boiling.

When Jane and Tun run over a girl in a car accident, they speed away immediately from the crime scene. However, Tun, a photographer, soon discovers strange shadows in his photos, which unsettles them.