In the smog-choked dystopian Los Angeles of 2019, blade runner Rick Deckard is called out of retirement to terminate a quartet of replicants who have escaped to Earth seeking their creator for a way to extend their short life spans.

An alcoholic drifter spends Halloween in his hometown of Albany, New York after returning there for the first time in decades.

“2048: Nowhere to Run” takes place one year before the events of Blade Runner 2049. The short film focuses on Sapper, a man who is trying to make it through life day-by-day without turning back to his old ways. We’re introduced to both the gentle nature of Sapper and the violence he’s capable of when set off.

Mr. Takazawa, an elderly invalid who is cared for at his home by Haruko, a young nursing student, is chosen by the Japanese Ministry of Public Welfare to test the Z-001, a computerized hospital bed with robotic features that allegedly displays more efficiency and skills than any human nurse, but Haruko mistrusts a machine unable to consider human feelings.

Saint Street is a classic American Christmas tale for the entire family. The story follows Percy who is a good man, but has found himself caught up in the riches of the world and is neglecting his most prized possession – his family. Christmas Eve has arrived and Percy is still hard at work late into the night, once again breaking his promises to his wife and kids that he would leave early so that they could drive to their traditional family Christmas party. After being warned time and again to change his ways from a heavenly being from beyond, Percy is about to experience some grave consequences for his actions. In a series of tragic events, Percy faces humble circumstances after losing everything in a car accident – his family, job and home. Paralyzed from the waist down and confined to a wheelchair, he is forced to be homeless and live in the gritty world of misfits on Saint Street.

STARMANIA is a cyberpunk rock opera that premiered on stage in 1979. In the near future, most developed countries have merged. Zéro Janvier, CEO of the biggest corporation in "The Occident" (as the new Western state is known) is campaigning to become President on a platform vowing to eliminate the terrorist group The Black Stars and their leader Johnny Rockfort. He has convinced the Stars' information broker Sadia to secretly work for him, while also courting the retiring film star Stella Spotlight. Meanwhile, Johnny Rockfort plans to kidnap television sweetheart Cristal, but he falls in love with her instead. Overlooking all this is Marie-Jeanne, a waitress in the café where the Black Stars meet, and her friend Ziggy, an obsessive David Bowie fan whose dearest wish is to appear on Cristal's music program STARMANIA. The show recounts these entwined love stories set in parallel, touching also on themes of terrorism, totalitarianism, and an individual's right to decide his own destiny.

A corporate raider and his henchman use a chanteuse to lure a scientific genius away from his employer and family.

To escape her abusive husband, garbage collector Gal packs her two young children, Rihanna and Benin, onto the top of her cart and heads across São Paulo to her cousin’s house. As she struggles to avoid the dangers of the streets along the way, she convinces the children that they are on a big and exciting adventure. When they arrive at her cousin’s house, they are warmly welcomed and fed. However, what initially seems like a safe haven soon turns out to be a trap. Gal realises that not only her own safety is at risk, but also the future of her children.

In an alternate reality where the decline of nations has given rise to corporatist regimes, any trace of culture or tradition is suppressed by these new leaders to prevent the masses from reclaiming a national identity. However, rebel cells have emerged to counteract this agenda.

Time-traveling bounty hunters find a doomed race-car driver in the past and bring him to 2009 New York, where his mind will be replaced with that of a terminally ill billionaire.

Cyborg detective Batou is assigned to investigate a series of murders committed by gynoids—doll-like cyborgs, which all malfunctioned, killed, then self-destructed afterwards. The brains of the gynoids initialize in order to protect their manufacturer's software, but in one gynoid, which Batou himself neutralized, one file remains: a voice speaking the phrase "Help me."

After a classroom speech sparks a turning point, Washington, a young black man from the outskirts, abandons everything to chase his dreams—only to face an unforeseen twist.