A companion to the director's Le Dos Rouge/Portrait of the Artist. A famous filmmaker works on his next film, which will focus on monstrosity. He is obsessed by the idea of finding a painting that will be central to the film and will crystallize all the power and beauty of monsters.

Andrew Marr interviews David Hockney about his exhibition A Bigger Picture at the Royal Academy, made up of works depicting the landscape of his native Yorkshire.

Brujeria is the Spanish word for witchcraft. Both men and women can be witches, brujos and brujas, respectively. A brujo controls much of the dance and chaos surrounding this troupe. When a young stagehand enters the would of this secluded dance retreat, it upsets the balance of the retreat's lead dancer a couple comprised of a lesbian and a bisexual woman. When the bisexual woman finds herself attracted to the stagehand, their relationship is tested, and the ensuing chaos feeds the brujeria.

Light is a fascinating phenomenon. Without light, there would be no cinema, no film – and no life. So light is at the origin of everything, and yet it remains invisible to the eye until it hits matter. This moment is – quite literally – the starting point of Thomas Riedelsheimer’s latest work, for the springtime spectacle of rainbow shreds in the cinematographer and documentary filmmaker’s flat became the starting point of a search for the origin of the images we form of this world. For this quest he dived deep into two spheres that seem to follow different laws but always strive to fathom the magical: physics and art.

A fledgling ballerina falls in love with a brilliant composer, but the jealous head of the ballet company plots to drive them apart.

The Dawn is Too Far: Stories of Iranian-American Life poetically narrates the story of a community of Iranian Americans who have made the San Francisco Bay Area their home over the past five decades. The film explores Iranian immigration through turbulent histories of dissent, revolution, war, and separation, and the reinvention of identity in a new land and culture. The Dawn is Too Far highlights how Iranian students, activists, and artists have navigated displacement while drawing on and influencing Bay Area culture. This community offers a more nuanced story of the Iranian diaspora—the ways that this community enriches the region where they live, work, and build families. The Dawn is Too Far undermines the tired and overplayed news headlines that are dominated by narratives of enmity and mistrust between the government of Iran and the U.S., to offer a more humane understanding of the how people's lives and the sacrifices they make are part of the larger story of immigration.

Kang Sai, a reserved and talented artist, has long seen his cheerful friend Xiao Xi as his muse. After college, he journeys to the serene Arxan National Forest Park for inspiration, and Xiao Xi soon joins him. Amidst the stunning landscape that becomes their haven, they face life’s challenges, testing the strength of their bond and the future of their love.

A spring night is a poetic film which is based on the motives of the poem by V. Lugovsky. The film is devoted to the theme of fidelity to the battle traditions of revolutionary past, to the theme of human happiness the sense of it in the battle for high ideals.

Xia Ji pushes people away with his arrogance and sharp tongue, while Shang Jia is kind and considerate who does things to please others more than it being from the bottom of her heart. What kind of chemistry, will have, the two people with such contrasting personalities?

A desperate gallerist conspires to sell a dead body at Art Basel Miami.

In the wake of a freak accident, Lance suffers the worst tragedy and the greatest opportunity of his life. He is suddenly faced with the possibility of fame, fortune and popularity, if he can only live with the knowledge of how he got there.

Based on the Edgar A. Guest poem of the same name, this is photographic ode to the American South, featuring representative scenery. Mendelsohn's "Spring Song" is the musical theme throughout, and Al Shayne sings an original song based on Guest's poem.