A surrealist retelling of Caine and Abel in a black void, where a game of chess is taking place. A boxer uses a punching bag while watching from afar.

Two robbers, having a philosophical debate about fate, realize that their deaths are imminent.

Hoda, a student in a boarding school, is neglected by her father at the behest of his wife. On her vacation, she spends time with her father. Her stepmother and her daughter, Sanaa, treat her badly. When Sanaa's fiancé Farid sees Hoda, he falls for her, as he feels that Sanaa is a reckless girl.

The film tells about the girl, Iman, who deals with people in her free nature, so she watches as often as she wants and goes out with the youth for walks whenever she wants, and her friend alerts her to release her. People misunderstand her. At the same time, she loves her three: her fiancé, her boss, and a fun fellow.

Muhammad fails to pass the diploma exam and does not care about his studies or success in his life, his father (Mohamed Reda) turns to a psychiatrist (Abdel Moneim Ibrahim) in the hope that he will find a remedy for his problem, in fact the doctor is nothing but a failed claimant impostor. Muhammad meets the girl of his dreams, Dina (Souad Hosni), who exchanges love while his cousin, Wafa (Nawal Abu Al Fotouh), loves him from one side. The fake doctor seizes the opportunity to improve Muhammad’s condition and claims to be the cause of his recovery. Events unfold in a comical and romantic setting.

Haniyeh has not seen her father since childhood and therefore does not know how it looks and forced her father's friend Esmat Al-Darmali to lie to her and tell her that he is her father Esmat Al-Damanhouri instead of her real father, and therefore Haniyeh continues to treat Esmat Al-Darmali as his father.

After Ismail’s father Ismail is killed, and his mother marries the owner of the company that his dead father worked for, Ahmed turns away to get to know Rouhia, marry her, and live in peace, until the imprisoned Rouhia’s father escapes, to cause a series of surprises.

The novelist Sami Al-Bagouri finds himself in trouble when he is caught between his jealous wife Zahra and the ghost of his late wife Fekria who discovers that he took another wife.

How would a found footage film look if the footage was never found? This conceptual art experiment questions the very nature of film and cinema while serving as an ironic tribute to the found footage horror pop culture. The found footage format provides the narrative justification for such a film to exist: the non-existence exists because the footage existed yet it was lost and never found.

Abd al-Tajtali Sulayt, a compulsory teacher from the village, goes to Locanda al-Firdaws after he was greeted by Atiyah al-Shalashlamouni and his wife Shafiqa, along with his four daughters, who treat them firmly and strongly, while Samiha was a neighbor of Atiyah who was constantly fighting with her husband Masoud because of her jealousy over him, and she thinks that he is in a relationship with another.

Nura is determined to live her life to the full, despite a future without her eyesight.

As a poisonous dust cloud is heading towards their house, a mother and father will have to choose between sacrificing one of their three children or taking the risk of losing them all.