Documentary showing one day of work of over 90 actors and filmmakers from French cinema on the same day. On 27 March 2002, 27 teams filmed actors, directors, producers and technicians at work, from Hawaii to Paris and from New York to Lisbon.

Homo Cinematographicus is a human species whose unit of measurement and point of reference is the cinema and its derivative, television. Filmed at the 1998 Cannes Film Festival, the film offers an unspecified number of statements, talking about memories and a thousand fragments of stories, titles and film scenes, the warp of a gigantic collective Chanson de geste.

In 1892, Ellis Island, in New York Bay, became the main gateway to the United States for immigrants arriving increasingly from Europe. The story of immigration to the United States from 1892 to 1954, an enthralling polyphonic narrative that embraces both small and great history.

"Race d’Ep!" (which literally translates to "Breed of Faggots") was made by the “father of queer theory,” Guy Hocquenghem, in collaboration with radical queer filmmaker and provocateur Lionel Soukaz. The film traces the history of modern homosexuality through the twentieth century, from early sexology and the nudes of Baron von Gloeden to gay liberation and cruising on the streets of Paris. Influenced by the groundbreaking work of Michel Foucault on the history of sexuality and reflecting the revolutionary queer activism of its day, "Race d’Ep!" is a shockingly frank, sex-filled experimental documentary about gay culture emerging from the shadows.

This video reinforces the importance of safe crossing and loading/unloading behaviors for primary age students. In the story, the main character goes on an adventure with his pet dinosaur “EGG” to stress the dangers of the loading zone.

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October 2003, Alma and Lila Levy are excluded from the Lycée Henri Wallon in Aubervilliers solely because they were wearing a headscarf. What follows is a deafening political and media debate, justifying in most cases the exclusion of girls wearing head-scarves to school. February 2004, a law was eventually passed by the National Assembly. "A thinly veiled racism" is about this controversy since the affair of Creil in 1989 (where two schoolgirls were excluded for the same reasons) and attempts to "reveal" that maybe what hides behind is the desire to exclude these girls. This film gives them a voice as well as others - teachers, community activists, feminists, researchers - gathered around the group "A School for You-All" fighting for the repeal of this law they consider sexist and racist ... This movie was censured in Septembre 2004 in France.

The little-known story of a deadly race massacre and carefully orchestrated insurrection in North Carolina’s largest city in 1898 — the only coup d’état in the history of the US. Stoking fears of 'Negro Rule', self-described white supremacists used intimidation and violence to destroy Black political and economic power and overthrow Wilmington’s democratically-elected, multi-racial government. Black residents were murdered and thousands were banished. The story of what happened in Wilmington was suppressed for decades until descendants and scholars began to investigate. Today, many of those descendants — Black and white — seek the truth about this intentionally buried history.

Don't Lose Your Head is a documentary about the making of Doctor Who story The Reign of Terror.

Inspired by a book by acclaimed historian Simon Schama, Murder at Harvard uses a combination of film-noir drama and present-day documentary footage to tell the true tale of one of the most notorious American crimes of the 19th century. Grappling with frustrating gaps in the historical record, Schama assumes the role of a time-travelling detective who takes an unusual step for an historian and imagines how certain scenes and encounters might have played out. "Maybe I thought what I was after was not a literal documentary truth," Schama tells us, "but a poetic truth — an imaginative truth — and for that I was going to have to become my own Resurrection man. I was going to have to make these characters live again."

An exposed Cumbrian village by the sea surrounded by windmills, fields and factories provides a striking setting for this fairy tale of young love and the loss of childhood innocence. Over one year, the film follows the 9 year-old Laura Anne and her 11 year-old cousin, Steven as they move towards the end of their childhoods. The narrative is told in rhyme by the young female protagonist. As time passes and the seasons change, feelings and memories from all our childhoods are evoked and we wonder what time will make of Laura Anne and Steven.