After the elevators at a New York City skyscraper begin inexplicably malfunctioning, putting its passengers at risk, mechanic Mark Newman and reporter Jennifer Evans begin separate investigations. Newman gets resistance from superiors at his company, which manufactured the elevator, while additional elevator incidents cause several gruesome deaths. The police get involved and suspect that terrorists are responsible, but a far stranger explanation looms.

100 years since the beginning of First World War. Locality - French cemetery in Bitola. State protocol. There are deputies, ministers, ambassadors, military attaches, consuls, honorary consuls, media present - Priests - Orthodox, Catholic, Muslim. - Military band. Jean Batiste Valerie, an old man of about 77 years of age, arrives in Bitola for the first time. Tiny, petite, with thin and gray hair, arrives late at the sad ceremony held in honor of the fallen French soldiers in the First World War. According to correspondence and information from the French army, his predecessor with the same name and surname must be located somewhere nearby. The ceremony had already begun.

A horrifying premonition saves a young man and his friends from death during a racetrack accident but terrible fates await them nonetheless.

18-year-old Mark wakes up in a parallel world where no one knows who he is - not his family, friends or girlfriend - and discovers that he and all the people he loves will soon die a painful death.

Sarah and Josh are married suburbanites. After a car accident, Sarah suffers blackouts and ends up pregnant though Josh is sterile. As her life spirals she hides a camera in her home and unlocks a horrific secret with far-reaching consequences.

Daniel and Alexandra. A beach day. An accident… A nightmare.

During the year of the repressive military regime, a Turkish writer gets disillusioned by the loss of a dear friend and retires to his hometown on a remote island where he feels safe from the political turmoil. There he escapes to the world of memories, having imaginary conversations with his dead friend. However, the news of a new murder alerts him to the dangers lying ahead. Shot in Turkey following the years of military regime, Av Zamani carries autobiographical elements as the director Erden Kiral also had to flee the repressive regime of his country to be an exile in Germany. The weakness of the film is that the director is not able to take enough distance from the events to give the story a more universal appeal. Av Zamani was screened at the Montreal World Film Festival 1988.

A young boy whose grieving family has forgotten about Christmas forms an unexpected, healing bond with a bubbly girl full of holiday spirit.

Allison's life falls apart following her involvement in a fatal accident. The unlikely relationship she forms with her would-be father-in-law helps her live a life worth living.

When a worker is found murdered on the construction side, the investigation swiftly turns from things criminal to the political circumstances surrounding the building itself. Widespread corruption and neglect by the builder himself are seen to have brought the situation about. Much of the movie is filmed using hand-held cameras, and the majority of the dialogue is in the difficult-to-understand and very slangy Spanish dialect of Mexico City's bricklayers.

A doctor, who commits malpractice in a major urban hospital, retreats to a remote house in the countryside. Although he is acquitted, his conscience is not so easily appeased. When a murder occurs and the southern Styria village searches for the culprit, he has to take a stand.

Just as Necrón resigns himself to never completing his book, a mysterious mirror arrives at his door, beckoning him. From that night on, inspiration comes to him unannounced, cloaked in mystery. Yet when the mirror has shown him every face he wears, will Necrón find the courage to confront his own demons?