A group of juvenile delinquents live a violent life in the infamous slums of Mexico City; among them Pedro, whose morality is gradually corrupted and destroyed by the others.

Stine tries to figure out her feelings for Jens, Michael, and Søren. She is most in love with Jens. However, Jens is always so serious and only thinks about school. Stine and Jens move in together, but this does not solve any of their problems. When Jens does not come home one evening without letting her know, Stine moves in with Anders. However, she misses Jens.

Paul Hegstrom is a so-called family man who puts his wife through domestic violence and his children through emotional torture. After leaving his family and almost killing his new girlfriend in one of his rages, Paul is ordered to either seek professional help through an innovative therapy program or go to jail.

Hud Bannon is a ruthless young man who tarnishes everything and everyone he touches. Hud represents the perfect embodiment of alienated youth, out for kicks with no regard for the consequences. There is bitter conflict between the callous Hud and his stern and highly principled father, Homer. Hud's nephew Lon admires Hud's cheating ways, though he soon becomes too aware of Hud's reckless amorality to bear him anymore. In the world of the takers and the taken, Hud is a winner. He's a cheat, but, he explains, "I always say the law was meant to be interpreted in a lenient manner."

In an English boys' boarding school, social hierarchy reigns supreme and power remains in the hands of distanced and ineffectual teachers and callously vicious prefects in the Upper Sixth. Three Lower Sixth students, Wallace, Johnny and leader Mick Travis decide on a shocking course of action to redress the balance of privilege once and for all.

A wealthy Los Angeles teen and her superficial friends wants to break out of suburbia and experience Southern California's "gangsta" lifestyle. But problems arise when the preppies get in over their heads and provoke the wrath of a violent Latino gang. Suddenly, their role-playing seems a little too real.

Follows the fate of Lyle, a violent adolescent who, in lieu of prison, is placed in a juvenile mental institution, where he encounters a group of equally troubled teens. This motley crew—abused, sexually confused, violent, and yet hanging on by their grit and anger—becomes Lyle's last lifeline as he fights to find meaning in a world that seems to defy understanding.

High school student Wendy has an odd relationship with her five friends: They're openly sexual with each other, swapping partners every week. But this is all thrown into turmoil when she meets Sean, a new student in school who has a crush on her. Wendy wants to be with Sean, but doesn't want to disappoint her friends, whom she has known since grade school. When she does decide to leave them, her best friend, Billie, threatens revenge.

Musician Max Frost lends his backing to a Senate candidate who wants to give 18-year-olds the right to vote, but he takes things a step further than expected. Inspired by their hero's words, Max's fans pressure their leaders into extending the vote to citizens as young as 15. Max and his followers capitalize on their might by bringing new issues to the fore, but, drunk on power, they soon take generational warfare to terrible extremes.

Angela is a young waitress who turns her back on society when she meets and falls in love with Pablo, a reckless criminal delinquent. Along with Pablo’s gang of car thieves, the pair embark on a drug and disco-fueled robbery spree as they hurtle toward oblivion.

Young photography model Susanna and her alienated teenage brother Veli spend the summer of 1969 travelling around Finland, mostly with another girl and her boyfriend. Sporting the latest fashions and trendy hairdos, they naïvely observe and criticise the modern consumer society, advertising, fancy boats and summer cottages, country dances, barbecues, and any other phenomena that were supposed to bother angry young intellectuals in those days. The plot and the political agenda are delivered with a cheerful, tongue-in-cheek mixture of documentary observations, fake TV commercials, fake interviews, philosophical voiceovers and titles, and a jazzy soundtrack by the progressive rock group Wigwam.

Two teenage girls embark on a series of destructive pranks in which they consume and destroy the world around them.