An urban train link, the RER B, crosses Paris and its outskirts from north to south. A journey within indistinct spaces known as inner cities and suburbs. Several portraits, all individual pieces that form a whole. We.

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When the lights dim and the stage is revealed, Meschke channels life through the strings of his puppets, triggering the spiritual connection between the creator and his alter-egos: the charismatic Don Quixote, the loving Penelope, the inquisitive Baptiste, or the mysterious Antigone. THE MAN WHO MADE ANGELS FLY is a poetic story about a master of his craft that has inspired audiences to reflect upon common issues of suffering and the mortal coil. Visionary and un-biographic, imaginary tribute to the puppeteer.

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Sylvia Kristel – Paris is a portrait of Sylvia Kristel , best known for her role in the 1970’s erotic cult classic Emmanuelle, as well as a film about the impossibility of memory in relation to biography. Between November 2000 and June 2002 Manon de Boer recorded the stories and memories of Kristel. At each recording session she asked her to speak about a city where Kristel has lived: Paris, Los Angeles, Brussels or Amsterdam; over the two years she spoke on several occasions about the same city. At first glance the collection of stories appears to make up a sort of biography, but over time it shows the impossibility of biography: the impossibility of ‘plotting’ somebody’s life as a coherent narrative.

In this intimate portrait addressed directly to Hélène Hazera, filmmaker Judith Abitbol revisits a key figure of France’s countercultures from the late 1960s to the 1990s. A member of the Gazolines and the FHAR (Homosexual Front for Revolutionary Action), Hazera was a tireless LGBTQ activist who founded Act Up’s Trans and AIDS commissions—one of her proudest achievements. Her true victory, however, was becoming the first transgender journalist at a major national newspaper (Libération), and later a producer at Radio France and France TV. Through her story, Abitbol reconnects with the insurrectionary spirit and creative chaos of those decades—an era when French culture was shaken by radical imagination, humor, and defiance. The film celebrates these modern Antigones who dared to live their desires beyond the reach of any law.

A poetic short film showing a day in the 2019 protests in Santiago, Chile through documentary images.

Alanis Obomsawin, a North American Indian who earns her living by singing and making films, is the mother of an adopted child. She talks about her life, her people, and her responsibilities as a single parent. Her observations shake some of our cultural assumptions.

Out of Office is the story of a scrappy group of office workers in Wisconsin who managed to pull off a major victory for workers’ rights. Upon their contract’s expiration, the workers activated their dormant union and fought back against their employer - a massive financial services provider making record profits. Their fight dragged out for over 600 days and included the first strike in the company’s almost 100-year history, which was the largest labor action in Wisconsin for over ten years. A rank-and-file member of the union documented the entire struggle, and the documentary includes emotional interviews with key members of the fight.

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A young woman of the Tarahumara, well-known for their extraordinary long distance running abilities, wins ultramarathons seemingly out of nowhere despite running in sandals.

Fifty years after her first recording in Nashville, Sylvie Vartan decided to record the album she sings on to mark this anniversary there. In one of the songs, she says: I have forged my own path, without turning back. Leaving my mistakes behind me. I ventured into unknown territory, avoiding pitfalls, and I came back. It is on this "road," both public and personal, starting from her native Bulgaria to Paris, passing through a thousand places around the world, traversing fashions and overcoming the trials of an extraordinary life, that this film sets out to illuminate the trajectory of a shy young girl who became an international icon and a resolutely free woman.