Everyday Noise

"Never Ending Peace and Love" (or "N.E.P.A.L.") is part of the South Korean omnibus film "If You Were Me" (2003). Comprising six short films directed by six prominent Korean directors and commissioned by the National Human Rights Commission of Korea, "If You Were Me" deals with discrimination in the country. The directors were given free rein with regards to subject and style. Park Chan-wook's short tackles the theme of human rights abuses towards foreign laborers in Korea, telling the sory of a Nepalese woman named Chandra who spent six years in a mental hospital after she was mistakenly accused of losing her mind.

During a severe summer heatwave, three generations of spirited women—a sprightly granddaughter, her fashionable mother, and a feisty grandmother—find themselves confined to their apartment without air-conditioning due to the granddaughter's injured leg. As the city buzzes with the uproar of a hygiene union strike, their home transforms into a funny battleground of mounting plastic. Water shortages add to their misadventures, teetering them between laughter and despair.

When a western Pennsylvania auto plant is acquired by a Japanese company, brokering auto worker Hunt Stevenson faces the tricky challenge of mediating the assimilation of two clashing corporate cultures. At one end is the Japanese plant manager and the sycophant who is angling for his position. At the other, a number of disgruntled long-time union members struggle with the new exigencies of Japanese quality control.

After going through a hiring process for a company based on São Paulo, Daniel, that came from another city, now needs to deliver them some important documents. However, he is blocked from the entrance because he is wearing shorts.

Set in grey space, the film tells us the story of a young girl named Jahnvi sitting alone in a dark, single room carrying multiple thoughts about her beloved and her relationship with him. Her chain of thought breaks when her friend Aman enters the scene who is happy and eager, differing from her low and gloomy mood and silent state. Towards the end, Jahnvi finally breaks her silence, only to reveal the shocking truth of her relationship and society.

Ava remembers her childhood home as a place full of amazing things and adventures. The day she returns home from university, however, everything changes: what used to be a treasure chest has become an oppressive box, and her mother’s things and fear of letting go overwhelm their home and their relationship. By dipping into memories and sharing a moment in time, can mother and daughter reach an understanding? 'Of All The Things' is a narrative short inspired by lived experience with the aim of developing a compassionate dialogue around hoarding. This is a story about connection, not just a condition. The film was made with the support of the hoarding community to ensure authenticity, it is designed to visualise the unseen emotional impact hoarding behaviours can have on the relationship between family members. Produced by Kino Bino with funding from the BFI NETWORK and crowdfunding.

In Russia, criticizing the war in Ukraine or Vladimir Putin’s regime has become a crime. Thousands of ordinary citizens are being arrested, tried, and imprisoned. They are called “Politzek”: political prisoners. Filmed clandestinely over the course of more than a year, Politzek gives a platform to those who, despite the fear, continue to speak out against Putin’s repressive Russia. Through the intersecting stories of a teenager sentenced to five years in prison for criticizing the government on social media, a young artist jailed for placing anti-war stickers, a human rights activist, and two theater directors facing Kafkaesque trials, the film unveils the machinery of state repression in Russia. With rare footage, broken yet unyielding voices, this is a story of silenced resistance.

A gold prospector in Alaska struggles to survive the elements and win the heart of a dance hall girl.

After a colleague is murdered, insurance worker Kafka gets embroiled in an underground group who are attempting to thwart a secret organization that controls the major events in society.

Angie is a working class woman. After being fired, she decides to set up a recruitment agency of her own, running it from her kitchen with her friend, Rose. Taking advantage of the desperation of immigrants, Angie builds a successful business extremely quickly.

An ill Central American single mother risks her life in order to give her son a stable future in the United States.

Three young Irish women struggle to maintain their spirits while they endure dehumanizing abuse as inmates of a Magdalene Sisters Asylum.