Tensions rise when the trailblazing Mother of the Blues and her band gather at a Chicago recording studio in 1927. Adapted from August Wilson's play.

An aging country singer becomes irritated with the success of a popular young country singer. However, she is not yet ready to become yesterday's news.

Lidia and her father, Pablo, return to the family lighthouse after her mother’s death. Pablo, aware of Lidia's fragile emotional balance, worries for a possible relapse after her suicide attempt. Lidia, annoyed by her father's lack of trust, will discover that something’s not right at the Lighthouse, and that danger awaits for them if they do not find out the truth.

After being dumped by her lover, Pepa finds her life and the lives of those around her spiraling out of control in a deliciously chaotic series of events.

Years after immigrating to the United States, Matt (Gabriel Berm) grapples with the notion of family. A call from his sister, Callie (Callie Morken), becomes the catalyst for a realization: he learns that family transcends borders and manifests in varied forms. The deepest connections endure physical separation, teaching Matt that what truly matters is the unbreakable bond they share, echoing louder than any distance.

After her husband dies, Alice and her son, Tommy, leave their small New Mexico town for California, where Alice hopes to make a new life for herself as a singer. Money problems force them to settle in Arizona instead, where Alice takes a job as waitress in a small diner.

Luisito, an 8-year-old boy, experiences the grief that has been denied to him when his mother decides to get rid of his late father's clothes.

No description available.

Larry the Cucumber's vision of the future includes automated robotic hosts telling jokes with random punch lines and musical numbers in which the performers and themes are chosen entirely by chance. As Bob the Tomato quickly points out, the jokes of the future aren't very funny because they don't make sense. Worse, technical malfunctions in the Ventrilomatic hosts actually promote emotional instability. Nonetheless, Bob admits that Larry's vision of the future contains some very cool adaptations of classic songs like Gilbert and Sullivan's fast-talking "Modern Major General" and Binky the Aardvark's solo performance of Mozart's The Barber of Seville. Larry's vision of the future also includes an amusing animated short about greed called "Lunch." Junior Asparagus calls Bob and Larry back to the present with a final song celebrating God's unconditional love.

Rock-and-roll singer Mary Rose Foster's romantic relationships and mental health are continuously imperilled by the demands of life on the road.

In a world where flowers represent emotions, Gloria, an Italian Mother, faces devastating loss and loses her way. She must battle her own sadness to find peace.

A boy struggles to reconcile his burgeoning queer identity with his filial duties and expectations from his Chinese immigrant mother.