Despite mixed emotions, Frederick Winterbourne tries to figure out the bright and bubbly Daisy Miller, only to be helped and hindered by false judgments from their fellow friends.

Inside a café, on Christmas Eve. Chim Kei meets an enigmatic woman named Mimi Wong who introduces herself as the daughter of an upper-crust family. But the infatuated writer is struck by a spasm of sorrow when he later sees Mimi make her appearance as a taxi-dancer at a party. The lovers are reconciled by the story of her plight told by her sister Annie. However, Mimi goes missing on the engagement day. By a stroke of luck, Chim runs into the elusive woman again and finds out how she was forced into prostitution by her drug-addict husband, his childhood best friend and benefactor Chan Hung-kit. Chim leaves dejectedly, and has since been idling his days away. The frail Mimi confesses her love for Chim on her deathbed, and from not far away, Chan has ended his own life.

Guerrilla member Ting Siu-yuen works as a playwright and Lee, the leader of an opera troupe. They conceal their identities in the troupe in order to gather military intelligence. Yuen gradually falls in love with the lead actress Mui Law-heung. Ting is unsettled to learn that County Chief Fong covets Mui. He sneaks into Fong's residence and is astounded by the sight of his old lover Pak Kuen, now Fong's wife. Fong colludes with the military chief in conducting vicious schemes. With Kuen's help, Yuen is able to get the intelligence. But as Heung is not an insider, she reports to the Governor about the illicit relationship between Yuen and Kuen. Kuen backs Yuen to eliminate the conspirators and bring about the union of Yuen and Heung.

Adaptation of Hermann Sudermann's novel about the troubled relationship between the strong willed Erdme and her irascible husband Jons in the Lithunian moors.

"Family" (1953), which launched the Union Film legacy, "Spring" (1953) and "Autumn" (1954) are adaptations of Ba Jin's highly regarded novel "Torrent Trilogy". In "Family", director Ng Wui skilfully condenses the voluminous first part of the novel into an emotionally powerful and intellectually focused story of youngsters struggling to survive oppression and repression in a feudalistic family. This well-received film quickly established the company's reputation.

No description available.

Four sisters come of age in America in the aftermath of the Civil War.

When 9-year-old orphan Oliver Twist dares to ask his cruel taskmaster, Mr. Bumble, for a second serving of gruel, he's hired out as an apprentice. Escaping that dismal fate, young Oliver falls in with the street urchin known as the Artful Dodger and his criminal mentor, Fagin. When kindly Mr. Brownlow takes Oliver in, Fagin's evil henchman Bill Sikes plots to kidnap the boy.

A mild-mannered English conscientious objector moves to what he feels will be the relative calm of Australia after World War I, but gets caught in the middle of violent battles between the rising trade unions and fascist groups.

Sojourning in Macau, Su Erning by chance helps Pan Meiniang resuscitate his younger brother and fends off the thug. In her admiration, Pan calls off the engagement arranged by her mother to exchange vows with Su despite having known him for only three days. To raise the money for the wedding, Su plans to sell his family yacht to the rich wife of his classmate Lu Zuhua in Hong Kong and promises to buy Pan a pearl necklace. The promiscuous Mrs Lu seduces Su on the yacht and then dumps him. 18 years later, Pan's daughter is getting married. Su prepares a wedding gift—a stolen pearl necklace—for the bride but is too ashamed to show himself.

Teresa is a spirited young girl chafing under the oppressive attitudes of 1930s society, and her father in particular. She fancies her poverty-stricken Latin tutor Johnathan Crow, without realising he merely considers her a pleasant diversion and nothing more, and eventually follows him from Sydney to London. En route she meets the gentle banker James Quick. Whilst navigating her relationships in London, including with a political poet bound for the Spanish Civil War, she experiences a transformation in her understanding of love. Based upon Christina Stead's best-selling Australian novel.

Hak-ming heads the Ko Family, but he and his brothers, Hak-ting and Hak-on, and the second wife of the late Master Ko quarrel. Young Cousin Mui, who has tuberculosis, is forced by to marry an older woman. Kok-sun is guilty of being unable to stop the marriage. Sun and maid Chui-wan are wary of their feelings for each other due to class difference. Cousin Mui dies of illness. Hak-ting has his eyes on Wan. His wife, Wong, complains to their daughter, Shuk-ching, who cannot take it and commits suicide. Wong blames herself for her death. Undergone these tragedies, Cousin Kam's mother let Kam have a modern wedding with Kok-man. When Ming is ill, Ting and On want to sell the ancestral home. Hak-ming dies of angst. When the fifth uncle of Sun forces Wan to be his concubine, Wan tries to kill herself but is intercepted by Sun. Pressurised by people of the house over the issue of inheritance, Sun protests by declaring his love for Wan and leaves the family, with his mother, brother Man and Wan.