Fragments of the life of Antonia, a young photographer for a local newspaper in Corsica. Her commitment, her friends, and her loves intertwine with the major political events of the island, from the 1980s to the dawn of the 21st century. It is the fresco of a generation.

In January 1810 in Edo, Kikunosuke, the 17-year-old-son of a murdered samurai, takes revenge on his father's murderer, Sakubai, who was his father's former retainer. Kikunosuke gloriously defeats the swaggering Sakubai in single combat in front of a theater, witnessed by a huge audience that had just finished watching a production of 47 Ronin. With Sakubai's severed head, Kikunosuke has achieved his revenge and ensured that his family won't be exiled. 18 months later, a ronin named Soichiro Kase from Kikunosuke's domain arrives at the theater. While he seems silly and smooth-talking, he's very keen on finding out more about the incident and Kikunosuke's time working at the theater. The theater's staff – the barker Ippachi, the swordsmanship teacher Sagara, the costumer Hotaru, the craftsman Kyuzo, and the playwright Kinji – are apprehensive and suspicious at his digging. However, not everything is as it seems.

Joseph is one of the last coastal shepherds in Corsica. His land is coveted by the underworld for a real estate project but he chooses not to give in. When he leaves the man who came to intimidate him, the godfather’s own son, between life and death, he becomes the prey of a merciless hunt.

In early 1980s Manhattan, a pair of Irish-American brothers become embroiled in a conflict with the Irish Mob.

Cultured Mario and outlaw Lucien, twins separated at birth, join forces to avenge their parents' death at the hands of evil Colonna. Because each feels all the same sensations experienced by the other, swordplay is difficult for them. Worse yet, raised very differently, they struggle to find common ground between their conflicting personalities. But to defeat their enemy, the two will have to overcome the obstacles and work as a team.

Young Al Capone catches the eye of Johnny Torrio, a criminal visiting New York from Chicago. Torrio invites Capone to move to Illinois to help run his Prohibition-era alcohol sales operation. Capone rises through the ranks of Torrio's gang and eventually takes over. On top, he works to consolidate his power by eliminating his enemies, fixing elections to his advantage and getting rich. In his spare time, Capone courts the principled Iris Crawford.

Kheìdidja, in her forties, works for a wealthy Parisian family who offers her the opportunity to take care of their children for a summer in Corsica. It's an opportunity for her to return with her daughters, Jessica and Farah, to the island they left fifteen years earlier in tragic circumstances.

A soon-to-be released criminal and a corrections officer is still grieving over the death of his sister opposing the prisoner's release.

A couple having marital problems goes on holiday around Corsica. At their vacation home they're haunted by disturbing ghostly visions of a young girl.

The tale of the famous vendetta, vengeance over the years between two families. For nearly nothing at the start, as always with Sicilians or Corsican people, from the underworld or not...

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The gypsy Azucena (Fiorenza Cossotto) takes revenge for her mother who was accused of putting a curse on one of the old Count di Luna's two sons: she decides to abduct the younger child and throw it in the flames. But when she is about to carry out this fatal act, the gypsy sacrifices her own child and keeps the old Count’s son, whom she names Manrico (IL TROVATORE, Plácido Domingo). Later, as adults, the troubadour Manrico and the Count di Luna’s elder son (Piero Cappucilli) do not know each other, but become rivals for the beautiful Leonora (Raina Kabaivanska). Manrico succeeds in winning the young woman’s heart, and she sacrifices herself for him, deceiving the Count’s son. Mad with jealousy, the latter orders the execution of the troubadour in front of his mother. Azucena reveals to him that Manrico was his brother. This legendary performance of Giuseppe Verdi's most successful opera was recorded at the Vienna State Opera under the baton of Herbert von Karajan.