The Yellow Swan
Horror · Drama · Thriller
Overview
A small town is terrorized by a serial killer. Lauri finds a dead body on his way to the university, reports it to the police and gets tormented by an obsessed police officer. At the same time Lauri's old friend returns to town.
Top Cast
Pyry Raunio
Pyry Raunio
Lauri Riitasointu
Pyry Raunio
Lauri Riitasointu
Jenna Liiti
Jenna Liiti
Stella Frankenheimer
Jenna Liiti
Stella Frankenheimer
Eppu Kupila
Eppu Kupila
Frank Nykänen
Eppu Kupila
Frank Nykänen
Mika Syvänen
Mika Syvänen
Risto Kallonen
Mika Syvänen
Risto Kallonen
Juha Ekola
Juha Ekola
Basil Karmavaara
Juha Ekola
Basil Karmavaara
Reijo Ikala
Reijo Ikala
Hugo Hiekalahti
Reijo Ikala
Hugo Hiekalahti
Helka Karhu
Helka Karhu
Erika Rinne
Helka Karhu
Erika Rinne
Laura Karunen
Laura Karunen
Donna Takamaa
Laura Karunen
Donna Takamaa
Liisa Liipola
Liisa Liipola
Niina Rikkinen
Liisa Liipola
Niina Rikkinen
Meri Manninen
Meri Manninen
Riina Kaurismäki
Meri Manninen
Riina Kaurismäki
Similar Movies

When young priest Jud Duplenticy is sent to assist charismatic firebrand Monsignor Jefferson Wicks, it’s clear that all is not well in the pews. After a sudden and seemingly impossible murder rocks the town, the lack of an obvious suspect prompts local police chief Geraldine Scott to join forces with renowned detective Benoit Blanc to unravel a mystery that defies all logic.

When a proposed pipeline creates hostilities between residents of a small town, a newly-arrived forest ranger must keep the peace after a snowstorm confines the townspeople to an old lodge. But when a mysterious creature begins terrorizing the group, their worst tendencies and prejudices rise to the surface, and it is up to the ranger to keep the residents alive, both from each other and the monster which plagues them.

Black Coffee is a 1931 British detective film directed by Leslie S. Hiscott. Based on the 1930 play Black Coffee by Agatha Christie featuring her famous private detective Hercule Poirot, it stars Austin Trevor as Poirot with Richard Cooper playing his companion Captain Hastings. A famous but hated scientist, Sir Amory, is killed during a house party, and some of his valuable papers are missing. Poirot rapidly determines the cause of death and the motive, then narrows down the suspects to the most likely culprit.

Agatha Christie’s agents propose that it’s time for her to publish the manuscript she wrote thirty-five years earlier, a novel in which she finally kills off her most famous creation. And it’s not an entirely sad occasion. “That wretched little man,” she says. “He’s always been so much trouble. How is it Miss Marple has never upset me at all, not ever?” That night, who should appear at her doorstep but the wretched little man himself, Hercule Poirot? The great fictional detective and his creator proceed to play a very Christie-like game of cat and mouse for the manuscript – and for their own lives.















