A girl trapped in a time loop leaves an AI replica to relive her final days. Glitches and burned-in subtitles reveal the machine’s fractured view, until the loop shifts to the real her — blurring the line between memory, code, and consciousness. "Told from the memory stream of a trapped A.I., the film visually glitches as it attempts to 'escape,' including encoded flashes of an 'ESC' key."

The Yamadas are a typical middle class Japanese family in urban Tokyo and this film shows us a variety of episodes of their lives. With tales that range from the humorous to the heartbreaking, we see this family cope with life's little conflicts, problems, and joys in their own way.

At the center are takes which do not change - a tree in a field in Vermont, U.S.A. Since the film was shot over a period of fifty days, the single frame shots create a storm of pictures.

A conversation between reality and consciousness.

On the beach at sunset a man waits for his one true love. When she arrives, a bittersweet romance ensues.

This animated short is a visual representation of Goethe's poem, The ErlKing that uses sand-on-glass animation set to the music of Franz Schubert. The moving images, resembling woodcuts, capture the haunting, nightmarish quality of the tale of the ErlKing who steals and kills a little boy.

The circularity of violence seen in a story that circles on itself. In Macedonia, during the war in Bosnia, Christians hunt an ethnic Albanian girl who may have murdered one of their own. A young monk who's taken a vow of silence offers her protection. In London, a photographic editor who's pregnant needs to talk it out with her estranged husband and chooses a toney restaurant.

A group of holidaymakers head for the Spanish resort of Elsbels for a 4-day visit. When they get there, they find the Hotel still hasn't been finished being built, and the weather is awful. And there is something strange about the staff—they all look very similar. To top it all off, the weather seems to be having an adverse affect on the Hotel's foundations.

For the multimedia exhibition Tangenten I (Tangents I), Dammbeck and co-organizer, sculptor and painter Frieder Heinze had planned to collaborate on a film that would combine non-camera animation with 35mm footage of a train ride between the two Dresden districts of Radebeul and Pieschen. When the exhibition was banned in 1978, Heinze turned to other projects, but Dammbeck continued working on the film by himself. Metamorphoses I—the first experimental film ever to be shown publicly in East Germany—marks the filmic beginning of Dammbeck’s long-term art project the Herakles-Konzept (Hercules Concept).

Two brothers move silently through the mundane world, carrying an unseen offering of light. As they journey from place to place, dancing and observing, subtle traces of change begin to appear, revealing how quiet presence can shift everything.

When retired racket boss John Sarto tries to reclaim his place and former friends try to kill him, he finds solace in a monastery and reinvents himself as a pious monk.

Darla pretends to like Butch, hoping to motivate Alfalfa into a better performance in the football game against Butch's team.