
A Girl at the Edge of the Universe
Fantasy · Drama
Overview
Vincent leads a life of sorrow until Venus walks into their universe.
Top Cast


Emily Aguila
Emily Aguila
Vincent/Venus
Emily Aguila
Vincent/Venus
Similar Movies

As a result of mysterious circumstances, seventeen-year-old Olga from 2005 finds herself in 2024 in the body of herself, but already a thirty-six-year-old single mother. Having no experience of adult life, Olga behaves like a frivolous girl from the noughties, and dreams of returning to a carefree youth. But by the will of fate, she is forced to take responsibility for her high school son and play the role of a school principal, which she is completely unprepared for.

Colloquially-told story of a few days in the life of Marieta, who's saving money for the last operation in her change from man to woman. She works as a prostitute in Madrid and longs for a legitimate job. Whenever she builds up her savings, her housemate and best friend Tomás finds ways to spend, lose, or cost her those funds. She meets Raúl, whom she likes and who likes her; the trouble is he also likes that part of her she wants removed. If that's not enough, she also has narcolepsy, and when she conks out, she dreams of musical-theater numbers in which she's the singing and dancing star. Are these dreams always going to be 20 centimeters out of reach?

On a hot summer day, Paloma decides to fulfill her most cherished dream: a traditional wedding in a church with her boyfriend Zé. She is a devoted mother, a hard-working farmhand in a papaya plantation and has been saving to afford the celebration. The priest’s refusal to marry her and Zé will force Paloma to confront the rural society. She suffers violence, betrayal, prejudice and injustice but nothing shakes the faith and determination of this transgender woman.

A truly major work, I Don’t Know observes the relationship between a lesbian and a transgender person who prefers to be identified somewhere in between male and female, in an expression of personal ambiguity suggested by the film’s title. This nonfiction film – an unusual, partly staged work of semi-verité – is the first of Spheeris’s films to fully embrace what would become her characteristic documentary style: probing, intimate, uncompromising. Preserved by the Academy Film Archive in 2014.

While attending a Dream-O-Vision experience at Playland, Annie finds herself far from the dreams and memories she was told she would be able to explore, instead, she stumbled into something claimed to be non-existent at Playland, a bad dream inhabited by an angry and long-forgotten memory.
















