Chronicles the musical career of British post-punk art rockers Wire.

Stephen Fry tours the City of London, discovering the hidden mysteries of this rich and powerful square mile. Along the way, he visits the Bank of England's vaults, witnesses high drama at the London Metal Exchange as dealers buy and sell stocks, and experiences Dead Man's Walk at the Old Bailey, where many condemned criminals trod their final steps. Plus, as a recipient of the Freedom of the City of London, Stephen finds out just what privileges this gives him.

In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary on the new Brazilian capital city of Brasília. Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazil’s vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília to be utopic only for the wealthy, replicating the same social problems present in every Brazilian city. (Senses of Cinema)

David Olusoga opens secret government files to show how the Windrush scandal and the ‘hostile environment’ for black British immigrants has been 70 years in the making.

The architectural plans for Berlin from 1938 are used as an example to illustrate the fascist claim to power and its aesthetic effect. The basis for this was the "General Building Inspection" under the direction of Albert Speer, whose enormous projects are illustrated by planning models and archive photographs.

A countdown of the top 40 "Blackadder" moments chosen by cast and crew members, celebrity fans and 15 genuine Blackadders.

A film essay contrasting the modern metropolis with its "golden age" from 1830-1930, with the participation of some of New York's leading political and cultural figures. Made at a time when the city was experiencing unprecedented real estate development on the one hand and unforeseen displacement of population and deterioration on the other. Empire City is the story of two New Yorks. The film explores the precarious coexistence of the service-based midtown Manhattan corporate headquarters with the peripheral New York of undereducated minorities living in increasing alienation.

Focused on the life of the band and their collaborators over the 3 vital years in which they developed critically acclaimed albums, 'Humanz' and 'The Now Now', and undertook their most ambitious world tour to date.

Between 1968 and 1970, J M Goodger, a lecturer at the University of Salford, made a film record of the living conditions in the slums of Ordsall, Salford, which were then in the process of being demolished. Under the title 'The Changing face of Salford', the film was in two parts: 'Life in the slums' and 'Bloody slums'.

How do German couples communicate in private? What are they arguing about? Is the way to a man’s heart really through his stomach? This docu-fictional hybrid production discusses such questions with the help of authentic interview snippets that were edited under the staged plot. We get an insight into the life of an animal couple, who experience typical everyday situations on behalf of us humans. At first, our fox is emotionally contained, while the penguin lady may get wild as hell. With a wink, the filmmakers hold up a mirror to the audience in the cinema.

The film takes us to the North of England to follow the migration of the black-headed gull down to London. There, the narrator asks viewers to "listen to their gossip", before demonstrating the bird’s flight in slow motion. We see a polecat feasting on gull eggs, and then a man collecting the eggs for human consumption, with the film telling us that they are considered a “delicacy” in London. Indeed, according to the British Trust for Ornithology, around 300,000 gull’s eggs were sold every year in Leadenhall Market in London during the 1930s, when London Visitors was made.

A Berlin street corner is slowly changing: an aging supermarket turns into a construction site and finally a new building. People restock shelves, demolish walls, take breaks and count money. Those who work here participate in the making and unmaking of the place. How does it shape the conditions of their labor? Between supermarket aisles, construction scaffolding and exposed concrete, different versions begin to overlap. Repetitions appear like echoes between worlds, both playful and eerie.