Christopher Gill is a psychotic killer who uses various disguises to trick and strangle his victims. Moe Brummel is a single and harassed New York City police detective who starts to get phone calls from the strangler and builds a strange alliance as a result. Kate Palmer is a swinging, hip tour guide who witnesses the strangler leaving her dead neighbor's apartment and sets her sights on the detective. Moe's live-in mother wishes her son would be a successful Jewish doctor like his big brother.

This story shows the two different parts of acting. The father is a strong, ambitious and inconsiderate actor but his son (Tibor) is a sensitive one. This all takes part somewhere in Hungary when socialism "controlled" the country.

When three orphans that were raised together and love like brothers knows about plans to be separated and work outside, they escape and live in the street. They sell lottery and newspapers. When older, they became artists.

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In order to win the respect of her friends and family, divorced housewife Sabine decides to perform Wilhelm Tell with a group of Asylum seekers in the Swiss mountains.

The enthusiastic Reine is forced to take a job as a social worker at Kumla prison.

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A bold anthology feature film made by an all-female creative team and cast. Based on the popular play of the same name the 80-minute movie follows 10 women scorned as they directly address their exes' new wives and lovers at an open mic night in Los Angeles. Created by a dynamic group of emerging filmmakers at a time when audiences are demanding films made both by and for women, the project taps into a social and political climate that's left women poised to take back their voices and be heard.

Celebrate the 50th anniversary of the groundbreaking sketch comedy with appearances from Burnett, original cast members Vicki Lawrence and Lyle Waggoner, costume designer Bob Mackie, and a slew of special guests.

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A look at the entire process of creating and developing Patrice Chéreau’s third staging of "In the Solitude of Cotton Fields" by Bernard Marie Koltès with Pascal Greggory and Chéreau himself. From the first reading around the table through the first contact with the performance space, rehearsals and lighting to opening night, the entire creative process unfurls in front of our eyes. The film shows us the evolving and ongoing dialogue between Greggory and Chéreau, a dialogue full of crises and magical moments of harmony and insight via which the truth, intensity, complexity, mystery and depth of Koltès’ text gradually emerge to form an implicit bond between these two men. The film also shows Chéreau directing rehearsals for Mozart’s "Don Giovanni" in Salzburg, revealing both the unity of and profound differences between his opera and theater work.

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