Bruin has a new mission: to become a superstar, just like his idol Michael Jackson. Although singing is not his greatest talent, he starts - supported by friends and colleagues - to build a music career.

Roma Illegale talks about the birth and evolution of the rave party scene in Rome through the 90s. It describes the introduction of techno music in the Italian squat scene and the politicisation of parties, the implementation of the TAZ concept in raves with the reproportion of abandoned spaces, the way awareness was increased into the suburban youth generally indoctrinated by neofascism.

In 2023, there were an estimated 30.6 thousand homeless people. This number continues to rise at an alarming rate. One of them is the headstrong Ruurdt. He has difficulty getting help and cannot adapt well to our society. He is now also in danger of losing the houseboat that was assigned to him. 'Ruurdt' is an intimate portrait of a man on the fringes of our society.

First film by Pim de la Parra, about a young Surinamese man in Amsterdam who delivers a “monologue interior” about his dissatisfaction with society and his position as an outsider.

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Rebellious City is a documentary about the Provo movement and the city of Amsterdam in the sixties.

The dutchified Hungarian Joszef Katús returns, after a months-long absence, to Amsterdam on 29 April 1966. The arrival of the Provos changed a great deal in the Dutch capital. The film follows Katús, mostly roaming the streets, in a loose documentary style. The events are set against the backdrop of four national occasions - The Queen's Birthday, Labour Day, Liberation Day and Remembrance Day.

The city from the unique perspective of the many wild animals and plants that inhabit it. Seen through the eyes of the adventurous urban cat, Abatutu.

No description available.

The film follows two colourful labour brokers, young Toon and old Toon. They speak candidly about their dubious practices and come across as surprisingly likeable. Yes, they profit from exploiting workers — but those workers are often more than willing to go along with the system. Ultimately, De koppelbazen asks who is truly responsible for these questionable practices.

Nocturnal life in the partly deserted dock area of Amsterdam. Director Marjoleine Boonstra encounters lone wolves, leading secluded lives in makeshift shelters, and people that work as pilots, night watchmen or skippers. According to a young pilot `it was actually like a dream', working by the IJ river at night. And this is what it looks like: a dream world. Between interviews, Boonstra makes her camera glide through the area, along the quay, across the water, along cranes, containers and sea-going vessels. A world of lamps, reflections and shadows. In this landscape of stone and metal, an extraordinary group of individuals lives and works. For example, an English woman cleans up a submarine for a party, a refugee from former Yugoslavia has created a place for himself and a night watchman has to `see to it that that boat stays where it is'. Peaceful music emphasises the relative quiet, in which the interviewees reflect on their lives and the harbour.

As one of Belgrade’s last DIY anti-nationalist spaces faces closure, its community gathers for a final night — a farewell that becomes a quiet act of resistance.