Koruna lásky a smrti
Drama · History
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Július Pántik
Július Pántik
Július Pántik


Soňa Valentová
Soňa Valentová
Soňa Valentová


Milan Kňažko
Milan Kňažko
Milan Kňažko


Zuzana Kocúriková
Zuzana Kocúriková
Zuzana Kocúriková


Leopold Haverl
Leopold Haverl
Leopold Haverl


Pavol Mikulík
Pavol Mikulík
Pavol Mikulík


Anton Mrvečka
Anton Mrvečka
Anton Mrvečka


Vlado Černý
Vlado Černý
Vlado Černý
Bronislav Križan
Bronislav Križan
Bronislav Križan
Oľga Zöllnerová
Oľga Zöllnerová
Oľga Zöllnerová
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Mamay draws on traditional Ukranian and Tatar folktales for its Romeo and Juliet-like love story and parable about chivalry and the struggle for freedom. Hundreds of years ago, in the wild steppes of Crimea that form an uneasy border between East and West, Europe and Asia, nomad and farmer, the proud Cossack Mamay falls in love with the Tatar beauty Omai. The title, like the storyline, holds a variety of different meanings taken from different cultures. In Turkic languages, it means "no one," but it was also the name of a famous Mongol conqueror, the great grandson of Ghengis-Khan. In Persian legends, mamay literally means "the spirit of the steppes. "

A rehearsal is disrupted when six figures mysteriously appear on the stage, claiming to be fictional characters from an unfinished play searching for an author to tell their tragic story. An adaptation of the classic Luigi Pirandello play, updated to take place in a 1970s television studio.













