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After hearing about a Brazilian folklore party at the neighborhood school, Fernando, an 8-year-old child, decides to go dressed as Curupira, with a skirt and everything, and suggests it to his grandfather, Mr. Lino, 70 years old. The dynamics between grandfather and grandson begin to be affected as Lino perceives Fernando to be a different child. Through subtleties in the dialogues and the silence, social conventions and the responsibility of being the guardian-protector of something precious, the film evokes conceptions of the masculine within a queer childhood.

Camila is a bored young woman. She begins to romanticize her life... until she realizes that there is something supernatural in this fantasy.

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A man breaks into people's houses at night and observes them, without stealing or violating anything. He simply looks, putting himself in their positions and searching for something he has lost within him, but not thinking that he could be being watched too.

The musical “Se Essa Lua Fosse Minha” tells the story of a people who abandon their land in search of a place to build a new tomorrow. Upon reaching the island of Porto Leste, they discover that the place is already inhabited by another people with conflicting beliefs and cultures, making a division of the land indispensable in order to avoid a war. However, when residents of opposite sides begin a forbidden romance, not even a clash between peoples can separate two passionate hearts.

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“A Noiva Natal” is a photo film narrated by the city of Natal itself, the capital of Rio Grande do Norte, in the first person. The short film, divided into three parts alluding to mourning, records a vision of the capital after being neglected and forgotten by the Public Authorities and its inhabitants.

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In a dystopian near future, a class of people are vaccinated with Anhedonia, a vaccine that causes the loss of pleasure and feelings in order to keep a population focused on farm work.

When her father enlists to fight for the British in WWI, young Sara Crewe goes to New York to attend the same boarding school her late mother attended. She soon clashes with the severe headmistress, Miss Minchin, who attempts to stifle Sara's creativity and sense of self-worth.