
Mehrjui: The Forty-Year Report
Documentary
Overview
Mehrjui: The Forty-Year Report dives into the artistic world of Iranian director Dariush Mehrjui. The film offers critical interpretations of his works from cinema experts, enriched with personal anecdotes from his peers.
Top Cast


Dariush Mehrjui
Dariush Mehrjui
Self
Dariush Mehrjui
Self


Faryar Javaherian
Faryar Javaherian
Self
Faryar Javaherian
Self


Vahideh Mohammadifar
Vahideh Mohammadifar
Self
Vahideh Mohammadifar
Self


Ezzatollah Entezami
Ezzatollah Entezami
Self
Ezzatollah Entezami
Self


Khosro Shakibai
Khosro Shakibai
Self
Khosro Shakibai
Self


Bita Farrahi
Bita Farrahi
Self
Bita Farrahi
Self


Niki Karimi
Niki Karimi
Self
Niki Karimi
Self


Golshifteh Farahani
Golshifteh Farahani
Self
Golshifteh Farahani
Self


Leila Hatami
Leila Hatami
Self
Leila Hatami
Self


Ali Mosaffa
Ali Mosaffa
Self
Ali Mosaffa
Self
Similar Movies

This short focuses on the job of the costume designer in the production of motion pictures. The costume designer must design clothing that is correct for the film historically and geographically, and must be appropriate for the mood of the individual scene. We see famed costume designer Edith Head at work on a production. The Costume Designer was part of The Industry Film Project, a twelve-part series produced by the film studios and the Academy. Each series episode was produced to inform the public on a specific facet of the motion picture industry. Preserved by the Academy Film Archive in 2012.

Through candid interviews with the creative minds behind the show, and exclusive on-set footage, discover how the talented team that powered "Loki: Season 2" raised the stakes for this latest MCU adventure. Witness imaginative costumes, elaborate environments, and far-out variants come to life, meet new allies and foes, and time-slip across the Multiverse.

Julien Temple's second documentary profiling punk rock pioneers the Sex Pistols is an enlightening, entertaining trip back to a time when the punk movement was just discovering itself. Featuring archival footage, never-before-seen performances, rehearsals, and recording sessions as well as interviews with group members who lived to tell the tale--including the one and only John Lydon (aka Johnny Rotten).

In one of those wonderful coincidences of history, lumière, the French word for “light,” was also the last name of brothers Auguste and Louis, whose brilliant invention, the cinematograph, helped to inaugurate the most beloved art form of the last 130 years. Institute Lumière director Thierry Frémaux uses Lumière, Le Cinema! to guide the viewer through over a hundred shorts—some famous, some forgotten, some never before seen—directed by Lumière and company. In the process, Frémaux illuminates how the brothers employed the camera as a creative instrument as they (and their operators) mastered framing, staging, and subject selection for quotidian and exotic microdocumentaries as well as the first ever fictional motion pictures. The result is not only a glorious re(telling) of the genesis of cinema but a profound meditation on the beautiful world captured—and the mysterious world imagined—by the Lumières.

In 20 years, he's directed more films than Martin Scorsese, He's produced more profitable movies than Jerry Bruckheimer, And he's infuriated more actors than Alfred Hitchcock. The ultimate B Movie Documentary, focusing on B Movie Giant Jim Wynorski (and B Movie Celebration Mentor) and his attempt to make a feature film in 3 days. He's directed seventy feature films, but he's never made one... in THREE DAYS. Jim cuts the shooting schedule, has the actors cook their own food. A documentary featuring B-Movie legends Roger Corman, Andy Sidaris, Julie Strain, Julie K. Smith and Stormy Daniels, Popatopolis follows Jim Wynorski as he begins to film one of his many opuses "Witches of Breastwick" Jim's frenetic pace demands 100 setups per day (the Hollywood standard is 20), and he reduces his electric package to just two lights so he can concentrate on the task at hand.A great overview of a true master at work and in many ways a laser sharp dialectic on the state of B filmmaking today.


















