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In June 2010, French actress Marion Cotillard spent a week in the heart of the tropical forests of the Democratic Republic of Congo with members of Greenpeace France and Greenpeace Africa. She delivers in video a strong testimony on the looting of Congolese forests which benefits a few industrial groups, often European.

When Rasmus was 15, his mother and siblings moved from the island Bornholm and left Rasmus with his mentally ill father. Influenced by his father's insecurity, anger and failure, Rasmus chooses to move from Bornholm at the age of 18. Two years later, Rasmus is trying to see if a reunion is possible, but in order to forgive and create a new relationship, father and son must go on a common journey that requires extreme courage and determination to succeed.

Aslı Erdoğan, world-renowned author and activist, has fallen into silence after she fled to Germany. Incomplete Sentences is a feature documentary on her literature and life, leading to exile in Frankfurt, after the Turkish regime’s oppression results in her unlawful imprisonment. Now, she struggles in exile while everybody is waiting for her to write again. Right after getting out of prison Aslı starts telling her story to the director, wandering in the streets of Istanbul she recites parts from her books and explains the stories behind. When Aslı goes to Germany to receive the Erich Maria Remarque Award she cannot return; thus her exile, which she likens to a semi-open prison, begins. As her health deteriorates and keeps her from writing, the tragedy in her books becomes her own reality.

The Stanford prison experiment was a landmark psychological study of the human response to captivity, in particular, to the real world circumstances of prison life, and the effects of imposed social roles on behaviour. It was conducted in 1971 by a team of researchers led by Philip Zimbardo of Stanford University.
In the West Jutland village of Hanning, there is a small indremissionary community. How everyday life unfolds in such a religious environment is depicted through participation in church services, meetings in the mission house and visits to the villagers. They talk about temptations, their relationship with God and passing on their faith to the next generation.

Fifty years after her first recording in Nashville, Sylvie Vartan decided to record the album she sings on to mark this anniversary there. In one of the songs, she says: I have forged my own path, without turning back. Leaving my mistakes behind me. I ventured into unknown territory, avoiding pitfalls, and I came back. It is on this "road," both public and personal, starting from her native Bulgaria to Paris, passing through a thousand places around the world, traversing fashions and overcoming the trials of an extraordinary life, that this film sets out to illuminate the trajectory of a shy young girl who became an international icon and a resolutely free woman.

Sylvie Vartan has had an extraordinary life: a Bulgarian child forced into exile, who became the icon of a youth in the midst of revolution in France. After a career spanning 64 years, with nearly 50 albums recorded and 40 million records sold, she has decided to bow out. During her farewell tour, the singer chose to open up to Augustin Trapenard.

Ruslana Abrosimova, 17 years old, lives in Mariinka, Donetsk region. Now Ruslana is in an unconditional state of war and is struggling every day with her desire to go out on the street or to stay at home, safe, in her room. War in Ukraine rages for more than five years already. Still, teens never cease to think about studying, discovering new cities and their bright future. Conflict occurs at every step as soon as the children open their room doors. That`s why Ruslana decided to take her camera and start to film her reality.

On November 13, 2015, the attacks in Paris and Saint-Denis, carried out by three Islamist commandos and claimed by ISIS, were the deadliest in France since the end of World War II. In the months that followed, the November 13 Program was launched by the CNRS and Inserm to study the construction of individual and collective memory around an event that profoundly marked French society. Today, the testimonies of 27 volunteers—among some 1,000 people—who participated in the study form a mosaic of experiences that shows how trauma extends beyond the immediate circle to permeate the national collective memory.










