When two true-crime obsessed friends turn a dinner party into a dangerous role-playing game, fantasy and reality collide, and one deadly mistake leaves no one at the table innocent.

A greedy burlesque club owner hires a mad scientist to resurrect his most profitable girl, but this she-borg refuses to be an object of men's desires.

An ancient Egyptian priest named Imhotep is revived when a British archaeological expedition finds his mummy and one of the researchers accidentally reads an ancient life-giving spell. Imhotep escapes from the field site and searches for the reincarnation of the soul of his lover.

Act One of the film The Chocolate War by critically acclaimed studio Phony Pictures; following the Breaking Bar Crew before the start of the Chocolate War.

A woman on the run for murder finds a man who thinks of suicide and they spent the longest 24 hours of their lives in a studio photographic.

No description available.

An animated horror short about a Nigerian-American teenager returning to Nigeria after the death of her grandfather.

A documentary based on the book Umbanda no Brasil by the scholar Mata e Silva, who is interviewed by the director. The book studies the Brazilian religion known as spiritism, a syncretism of African beliefs and magical rites, Indian beliefs and images, and Catholic symbols.

Follows the story of two young boys and their adventure through the streets of Africa.

Inspired by true events, this film takes place in Rwanda in the 1990s when more than a million Tutsis were killed in a genocide that went mostly unnoticed by the rest of the world. Hotel owner Paul Rusesabagina houses over a thousand refuges in his hotel in attempt to save their lives.

A 15-year-old Somalian boy meets a 40-year-old Iranian man in a refugee camp in Skåne, in the south of Sweden. With the threat of deportation hanging over them, they decide to take their faiths in their own hands and together they go on a journey in the Swedish summer.

The film deals with the judgment of the so-called "compromised", who integrated the colonial apparatus. At Josina Machel school, in an amphitheater with a full audience and balcony, there is a stage where Samora Machel and the members of the Frelimo political committee are located. He records Samora, an impeccable political actor, sometimes histrionic, in the role that he is attributed as the animator of the scene in the trial.