What would happen if a country of 97 million people were taught at a young age that the boogie man was real. In the Philippines for the last 400 years, the 'aswang' has been used as propoganda and social control by Spanish Colonizers, the Catholic Church, the Philippine Administration, and even the CIA.

A documentary that explores man's enduring fascination with the vampire legend by examining historical accounts, literary works, and as they are portrayed in film and television.

Diabolical. Seductive. Immortal. Vampires have been an icon of evil in folklore and popular culture for more than three centuries, yet only one name still personifies the ultimate aristocrat of bloodlust. Now join the world’s foremost experts on Dracula – including academics, authors and horror historians – as they explore the untold story of the Transylvanian Count, from the legend of Vlad The Impaler and Bram Stoker’s celebrated novel through its landmark stage productions and classic movie adaptations.

National Vampire is a feature-length documentary that explores vampire culture in the United States. To achieve this, the filmmakers spent more than two years traveling around the country, attending vampire-related events, and interviewing dozens of people involved in the vampire community. Shooting locations include a Vampire’s Ball held in New Orleans each Halloween, a vampire tour of San Francisco, and a New York City shop that “transforms” people into vampires. Also featured are a vampire “dentist” who makes fangs for a living, vampire role playing gamers in Dayton, Ohio, a vampire-themed magician, and a bloodthirsty Texas couple that claims to be the real thing. Going beyond the surface, National Vampire also explores a number of subcultures that overlap the vampire community, including the goth music scene, bondage and S&M, and blood fetishists who take part in piercing and full-body suspension rituals.

A history of the famous vampire of books and movies, using film clips, previews and other methods.

First chapter in the chronicles of a 231-year-old vampire in his journey with his fellow vampires.

Jonathon "The Impaler" Sharkey threw himself into the race for Minnesota governor on January 13, 2006. His "coming out" to the media as a Hecate Witch, Satanic Dark Priest and Sanguinary Vampire grabbed international attention, and his candidacy marked the beginning of the largest amount of media coverage ever given to an unknown third party candidate running for governor in American history.

The Irish novelist, Bram Stoker, gave the world Dracula in 1897. This documentary explores the historical figure behind the fictional figure of horror and examines medical explanations for the myths of vampires.

A live-event TV special exploring the reality and legend surrounding the story of Dracula. Ancient European castles associated with vampire legends are visited; vampire experts are interviewed; and people claiming to be vampires are featured.

Abel Ferrara directed this thirty-minute documentary that interviews the cast of his film THE ADDICTION.

An atmospheric essay, which is an alternative version of Count Dracula, a film directed by Jess Franco in 1970; a ghostly narration between fiction and reality.

Using clips from classic horror films and contemporary interviews, this cable-TV documentary tries to separate truth from fable in discussing vampires and werewolves -- a task that often proves impossible. After noting that fear of the supernatural stems from mankind's basic terror involving darkness and awe of the moon, the film ticks off several documented cases of "actual" blood sucking and lycanthropy. Among those interviewed are weapons experts, scientists, sociologists, and movie buffs, as well as a few hardy souls who claim to be genuine Dracula and Wolfman clones. Originally slated to air during Halloween weekend in 2003, Fang vs. Fiction: The Real Underworld of Vampires and Werewolves was moved forward two months as an extended promotion for the upcoming theatrical feature Underworld, which, of course, dealt with the same terrifying subject matter. [Hal Erickson]