Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese.

Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno trousers created by Wallace. However, Gromit later learns that the penguin is a wanted criminal.

Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.

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Se-young stays alone and works overtime. Her lover, Hye-mi, visits Se-young's company and they have a date there. Suddenly, the new employee, Joo-ah, returns to the company.

Kazakh journalist Borat Sagdiyev travels to America to make a documentary. As he zigzags across the nation, Borat meets real people in real situations with hysterical consequences. His backwards behavior generates strong reactions around him exposing prejudices and hypocrisies in American culture.

A fake commercial for a lesbian telephone hot line. A short by Kyle Dunnigan and Tig Notaro.

After getting his kite caught in a tree, Mharti must rely on the assistance of Doc, a scientifically-gifted man with questionable methods, in order to retrieve his kite.

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In Ireland they say it takes just three alcoholics to keep a small bar running in a country town. But what if you’ve only got two?

Having moved to the city of Khojpuri to pursue his scientific investigations into the uses of onions, Hunsilal soon discovers a novel way to tackle mosquitoes, and is celebrated by Raja Bhadrabhoop. However, he soon learns that things may not be as they seem, that the mosquitoes may not be the pests (or even the insects) he once assumed them to be, as he gets drawn into an undercurrent of revolution and discovery, precipitated by his burgeoning love for his colleague Parveen. Inspired by the traditional Gujarati Bhavai, 'Hun Hunsi Hunsilal' is interwoven with an absurdist, innovative soundtrack and presents a satirical, modern day tragic fable about fascism, revolution and the power of stories, all shot beautifully, in what is one of India's most powerful and relevant films to date.

Katherine Ryan presents a celebration of one of the biggest comedy talents to ever appear on the small screens – the razor-sharp-tongued first lady of laughter, Joan Rivers.