David, a robotic boy—the first of his kind programmed to love—is adopted as a test case by a Cybertronics employee and his wife. Though he gradually becomes their child, a series of unexpected circumstances make this life impossible for David.

People in the future live in a totalitarian society. A technician named THX 1138 lives a mundane life between work and taking a controlled consumption of drugs that the government uses to make puppets out of people. As THX is without drugs for the first time he has feelings for a woman and they start a secret relationship.

In a futuristic city sharply divided between the rich and the poor, the son of the city's mastermind meets a prophet who predicts the coming of a savior to mediate their differences.

In the last days of 1999, ex-cop turned street hustler Lenny Nero receives a disc which contains the memories of the murder of a prostitute. With the help of bodyguard Mace, he starts to investigate and is pulled deeper and deeper in a whirl of murder, blackmail and intrigue.

In the year 2898 AD, around 6000 years after Kurukshetra war, Ashwatthama gears up for his final battle of redemption at the sign of hope in a dystopian world and Bhairava, a wisecracking and self-interested bounty hunter, tired of the perilous life becomes the hurdle in the process.

Lemmy Caution is on a mission to eliminate Professor Von Braun, the creator of a malevolent computer that rules the city of Alphaville. Befriended by the scientist’s daughter Natasha, Lemmy must unravel the mysteries of the strictly logical Alpha 60 and teach Natasha the meaning of the word “love.”

Jimi, a computer game designer, finds that his latest product has been infected by a virus which has given consciousness to the main character of the game, Solo. Tormented by the memory of his fled girlfriend Lisa and begged by Solo to end its useless "life", Jimi begins a search for people who can help him both to discover what happened to Lisa and to delete his game before it is released.

With only three weeks left in his three-year contract, Sam Bell is eager to return to Earth. Stationed alone at a Moon-based facility with his computer assistant GERTY, an unexpected accident sets off a series of unsettling events that shake his isolation.

Paranoid computer programmer Simon wakes up to find a package in his room one day. Despite attempts at securing his apartment, the packages keep arriving. While cameras watch Simon's every move, he struggles to find the answers to the mysterious forces taking over his life.

In the aftermath of the Fourth Impact, stranded without their Evangelions, Shinji, Asuka and Rei find refuge in one of the rare pockets of humanity that still exist on the ruined planet Earth. There, each lives a life far different from their days as an Evangelion pilot. However, the danger to the world is far from over. A new impact is looming on the horizon—one that will prove to be the true end of Evangelion.

In an alternate reality where the decline of nations has given rise to corporatist regimes, any trace of culture or tradition is suppressed by these new leaders to prevent the masses from reclaiming a national identity. However, rebel cells have emerged to counteract this agenda.

In a strange place where daily broadcasts require everyone to “keep the silence”, the long-isolated residents of Edifice 129, trapped in their apartments and by distant memories, creep forwards, day by day. / Edifice 129 is a particular collaborative project, created by filmmakers across three countries. In the midst of the COVID-19 lock-downs, Linda Gasser — director of the Arc Film Festival in Mainz, Germany — invited filmmakers to join her Creatives Across Borders initiative. The aim was to meet via Zoom, support each other, and talk film, but talking film soon turned into developing a film. Meeting regularly, sometimes weekly, four writer/directors and a digital 3D artist created short films designed to work both as standalone projects and, when inter-cut, as one cohesive story, despite being filmed in Germany, the UK and Malta, and with the filmmakers never having met in person until after the films were finished.