Immigrants from around the world enter Los Angeles every day, with hopeful visions of a better life, but little notion of what that life may cost. Their desperate scenarios test the humanity of immigration enforcement officers. In Crossing Over, writer-director Wayne Kramer explores the allure of the American dream, and the reality that immigrants find – and create -- in 21st century L.A.

During a severe summer heatwave, three generations of spirited women—a sprightly granddaughter, her fashionable mother, and a feisty grandmother—find themselves confined to their apartment without air-conditioning due to the granddaughter's injured leg. As the city buzzes with the uproar of a hygiene union strike, their home transforms into a funny battleground of mounting plastic. Water shortages add to their misadventures, teetering them between laughter and despair.

The story of two young women who go to the city to work in a dress factory, and who share a room to ease their expenses and their loneliness. The film shows the currents that brought them together and the facets of their natures that first made them seem compatible but eventually drove them apart. Their story reflects, to a degree, the situation of anyone who has ever shared the life of another.

Set in grey space, the film tells us the story of a young girl named Jahnvi sitting alone in a dark, single room carrying multiple thoughts about her beloved and her relationship with him. Her chain of thought breaks when her friend Aman enters the scene who is happy and eager, differing from her low and gloomy mood and silent state. Towards the end, Jahnvi finally breaks her silence, only to reveal the shocking truth of her relationship and society.

Summer is a permanent state of mind in Limassol, a once small seaside town in Cyprus now transforming into the oligarch paradise of the Mediterranean. Within its asphyxiating environment, Tina, a depressed food stylist is ready to give up on everything on the day of her birthday, until an extraordinary encounter changes her life.

Maysa unfolds over a single afternoon as a young woman and her stoic middle eastern mother navigate the quiet tension of a long-held silence. As memories of migration and girlhood surface in fractured flashbacks, their unspoken history begins to unravel. A tender, restrained portrait of love, resilience, and the things women carry - even when they no longer have to.

A woman experiences psychic disintegration and ends up in a psychiatric hospital.

Matilde travels to her family’s village due to her great-grandmother’s passing. After the funeral, she reconnects with the place where she spent her childhood, learning about the experiences that she and her mother have shared in the same house.

Madi is a junior doctor who desperately needs a break. Her partner, Dana, takes her on a getaway with her friend group. Will Madi finally get the Low Stress Day she desires?

The Untold Story of the Suffragists of Newfoundland (1999) is a docu-drama celebrating the thirty year struggle by the women of Newfoundland to win the right to vote.

Ava remembers her childhood home as a place full of amazing things and adventures. The day she returns home from university, however, everything changes: what used to be a treasure chest has become an oppressive box, and her mother’s things and fear of letting go overwhelm their home and their relationship. By dipping into memories and sharing a moment in time, can mother and daughter reach an understanding? 'Of All The Things' is a narrative short inspired by lived experience with the aim of developing a compassionate dialogue around hoarding. This is a story about connection, not just a condition. The film was made with the support of the hoarding community to ensure authenticity, it is designed to visualise the unseen emotional impact hoarding behaviours can have on the relationship between family members. Produced by Kino Bino with funding from the BFI NETWORK and crowdfunding.

A waitress learns about a chance to become a general manager at the diner she works at, and has to decide if she wants to compromise her morals or find comfort within an unlikely group of women who are hiding from the law.