Gory real-life footage of blood and guts on the German Autobahn, drug smugglers getting blown away, a parachutist landing in a crocodile pit, torture and murder in El Salvador, a PCP addict getting stoned, a videotaped rape/murder, a car thief getting ripped apart by two junkyard dogs, and much more.

A series of indie filmmakers are documented over the course of a few months throughout the production of their passion projects, as they change professionally and personally; moving closer to the lives they wish to live.

As Hong Kong's foremost filmmaker, Johnnie To himself becomes the protagonist of this painstaking documentary exploring him and his Boundless world of film. A film student from Beijing and avid Johnnie To fan, Ferris Lin boldly approached To with a proposal to document the master director for his graduation thesis. To agreed immediately and Lin's camera closely followed him for over two years, capturing the man behind the movies and the myths. The result is Boundless, a candid profile of one of Hong Kong's greatest directors and a heartfelt love letter to Hong Kong cinema.

Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.

SHINE tells the story of Mike Straughter, the owner of Chase Shoe Shine Parlor in Houston’s historic Third Ward — a neighborhood long regarded as a cradle of civil rights activism and cornerstone of African American culture. For more than two decades, Mike has offered far more than a shine — he’s created a gathering place where people from all walks of life find belonging, conversation, and kindness. His shop has grown into a quiet engine of community outreach, where customers roll up their sleeves alongside him to help people in need. An intimate, character-driven documentary, SHINE captures the quiet influence of a man rooted deeply in his neighborhood — a reminder that human connection still matters and can grow in the most unexpected places.

Since he was 18 years old, Blake Eckard has written and directed six feature length films in his hometown of Stanberry, Missouri (population 1186). Aside from a short distribution deal in Canada and a few festival screenings, his movies have largely gone unseen.

A retrospective of the work of the late actor Warren Oates, with clips from his films and interviews with cast and crew members who worked with him.

In 1975, as America faced social and political upheaval, filmmakers turned chaos into art.

A look behind the scenes at the several-year journey of making Trevor and Carrie Juenger's horror fantasy epic The Man in Room 6.

Punk rock, B-movies, and Jehovah’s Witnesses unite in this heartfelt documentary. As members of Jehovah’s Witness start to explore culture outside of their religion, they have to wrestle with the possibility of being excommunicated from friends and family. Featuring in-depth interviews and extensive home video footage, Witness Underground tells the story of punk rocker Witnesses pushing against the highly controlling Jehovah’s Witnesses religion as they build their own community through music and art. This prolific community of Witness musicians create their own record label, Nuclear Gopher, and become early adopters of promoting their music through the internet, including what may have been the first album to ever be livestreamed. This community’s history is well documented through archival footage of their home movies and self-produced music videos, all with a very charming energy.

Vinicius is a young cellist who lives in the far east of the metropolitan region of São Paulo and is a member of the State Youth Orchestra. He talks about the contrasts he experiences every day as a musician in Latin America's largest city, the prestige of playing at the Sala São Paulo, one of the best in the world, and the human degradation that surrounds it, individual and collective artistic expression in an orchestra, the sublime of the concert and the harsh reality of life on the ground, about the continuous search for erudition, the role of his teachers in his career and the friendships and lessons he has learned along the way

a filmmaker setting out to capture the life of demolition worker, an immigrant whose close friends and fellow workers went missing. As the filmmaker attempts to do so, the production faces many symbolic and frustrating obstacles in between. Disheartened, the filmmaker departs the site—defeated, exhausted, and grieving the story they couldn’t tell.