Set in the beauty industry, colliding the worlds of glamour and body horror in a supernatural tale of one girl's deadly pursuit of perfection.

As a faithful child of God, Mary regularly repents for her sins. Over time, her faith drives her crazy as she pushes herself to the extremes.

A young scientist who is convinced that a dangerous new pathogen threatens the population and tracks it back to her hometown – which is located in the shadow of the remote sheep station where the macabre events of the original Black Sheep unfolded.

A young couple is lured into the clutches of a bloodthirsty 500-year-old vampire; the exotic stranger tries to persuade them to swap partners and join his kind.

Four friends decide to investigate an old entertainment warehouse without knowing that this curiosity will end up turning them into the worst of nightmares.

Las Vegas, 1972. In a decade drenched in blood, confusion, and paranoia, a new serial killer lurks beneath the neon shadows, ripping bodies apart. And what was once America’s glittering playground has now become a neon-lit graveyard, paralyzed with horror. But this isn’t your average homicidal psychopath. This one walks, talks, and sings like an angel... but behind his mask lies an unholy hunger that is nowhere near being fulfilled. VAMPIRE ELVIS is a vile, carnal, grim, and seductive grindhouse relic, coming from the darkest corner of hypnagogic nightmares. A bizarre love letter to cult cinema, where rock 'n' roll rots, icons collapse, and desire outweighs reason. You’ve never seen a vampire film like this. And you sure as hell ain’t seen HIM like this. So turn the lights low. Lock the door. And whatever you do... don’t let HIM in!

The Infernal follows the paranormal events that Oscar, a University graduate, experiences upon moving into a new household with his friends. But are the events that occur at Hollowmere House truly paranormal, or are his housemates playing some twisted games?

A misfit group of unwitting high school students stumble upon a cursed object, an ancient Aztec Death Whistle. They discover that blowing the whistle and the terrifying sound it emits will summon their future deaths to hunt them down.

Caio is a deeply religious young man, living in the shadow of his brother, Alberto. While Alberto challenges norms and embraces life, Caio feels trapped by his beliefs. In a moment of desperation, Caio murders Alberto and stages his death as a suicide, convincing himself that he acted in God’s name.

Documentary filmmaker Errol Morris investigates the case of a man who became an authority on capital punishment, but was discredited when he got involved on the wrong side of a court case. Leuchter, a meek man whose appearance belies his grim expertise, develops what he says is a more effective electric chair. Before long he's in demand from officials who want his opinions on other kinds of execution. But when called to aid the case of an accused Holocaust denier, Leuchter's problems begin.

The story takes place in the southern part of Serbia, the city of Nis. Italian tourist Riccardo, visits the city and the nearby cafeteria "Gvozdjara", where he meets the girl Nina. Nina points out to him through a coffee cup the problems that await him on the road ahead. After the cafeteria, Riccardo went to explore the city and sightseeing. He called the number of the "City Trans", where the driver Marko will take him to the wrong location, which will later be fatal for Riccardo...

A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of inter­generational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.