A reframing of the classic tale of Narcissus, the director draws on snippets of conversation with a trusted friend to muse on gender and identity. Just as shimmers are difficult to grasp as knowable entities, so does the concept of a gendered self feel unknowable except through reflection. Is it Narcissus that Echo truly longs for, or simply the Knowing he possesses when gazing upon himself?

After stumbling upon a surreal scene of a Wolf eating his birthday cake, a troubled boy finds himself stuck in a desperate struggle trying to convince his skeptical friend of what he just saw. When his friend refuses to believe him, the situation gets dramatically worse as worlds unravel and true human nature is revealed.

After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.

In this 60 second art piece, a dog named Layla is called upon by nature to defend harmless daisy flowers from the wild grass that is conquering their territory.

Deep in an ocean facility, Aryanna, must face the unknown, as drips from water-tight air vents and scratches from within empty cells drive her to the brink of madness.

A young boy, in his depressive mental state, is obsessively searching for something he calls the "Truth". Desperately looking for answers, he treads through forests and abandoned factories, seemingly with no luck. Everything changes for him when he comes across a certain primordial being known to every human in existence.

Cumberland, 1348. The plague is spreading in medieval England. The remote village of little Griffin is also threatened. But the 9-year-old boy has a recurring dream that holds the key to a tiny hope of survival: a lake with a coffin floating on it. A white church with an iron cross. A falling glove. A falling silhouette. A torch tumble through a dark shaft into infinity. With his brother he recognizes in it a prophecy to escape the Black Death. So they embark with a few men on a journey to a distant cathedral, where they want to set up an iron cross as an offering to God. Her path leads them through a deep and dark mine shaft into an unknown land and completely outlandish time - into the present-day New Zealand of the 1980s.

A student moves into their accomodation, only to find their room already decorated, a strange, inhuman flatmate, and a kettle that won't stop boiling.

Hoping to find a sense of connection to her late mother, Gorgeous takes a trip with her friends to visit her aunt's ancestral house in the countryside. The girls soon discover that there is more to the old house than meets the eye.

Through Martian horizons, she gazes upon the world she’s only known through tales of scrap screens. Colors altered by fading memories, and shapes molded by imagination... Her perception of Earth, a symphony played by fragmented notes, an artwork painted by distant echoes. In the embrace of Mars, she carries the fractured essence of a heritage lost in space. Generations adrift in the solitude of the Martian plains, lives in a kaleidoscope of the world.

Seraphim Cloud and his life size doppelgänger enter the netherworld of Calico Ghost Town deep within the Mojave Desert.

Tirsa, Elián, Teo, and Avril are imprisoned in a boarded-up house. In just a few minutes, their sentences will finally end. However, a call reminds them of the rules for getting out. The appearance of an external presence will put freedom at risk.