In his lifetime, Thomas Merton was hailed as a prophet and censured for his outspoken social criticism. For nearly 27 years he was a monk of the austere Trappist order, where he became an eloquent spiritual writer and mystic as well as an anti-war advocate and witness to peace. Merton: A Film Biography provides the first comprehensive look at this remarkable 20th century religious philosopher who wrote, in addition to his immensely popular autobiography The Seven Storey Mountain, over 60 books on some of the most pressing social issues of our time, some of which are excerpted here. Merton offers an engaging profile of a man whose presence in the world touched millions of people and whose words and thoughts continue to have a profound impact and relevance today.

In Adios Amor, the discovery of lost photographs sparks the search for a hero that history forgot—Maria Moreno, a migrant mother driven to speak out by her twelve children’s hunger. Years before Cesar Chavez and Dolores Huerta launched the United Farm Workers, Maria picked up the only weapon she had—her voice—and became an outspoken leader in an era when women were relegated to the background. The first farm worker woman in America to be hired as a union organizer, Maria’s story was silenced and her legacy buried—until now.

This documentary examines how Adolf Hitler and the Nazi regime made use of ancient mysticism, occultism, and mind-control techniques in their efforts to win the war.

An accurate depiction of the basic tenets of northern Mahayana Buddhism, cast into living or "experiential" form, consistent with powerful mantras heard on the soundtrack of the film. Tarthang Tulku, a Tibetan Lama, was the advisor.

An unconventional biography by Oscar nominee Paola di Florio and Sundance winner Lisa Leeman about Hindu mystic Paramahansa Yogananda who brought yoga and meditation to the West in 1920 and authored the spiritual classic "Autobiography of a Yogi," which became the go-to book for seekers from George Harrison to Steve Jobs.

The mysterious chi is presented as a force that can be produced by the master and defies all explanation.

Creened in several international film festivals, as well as the Musée de L’Homme in Paris, this film takes viewers into a secret world rarely seen by outsiders. Nearly eight centuries after his death, Mevlana Jalaluddin Rumi, Sufi master and mystical poet, is ever-present in the whirling ceremony of today’s Mevlevi dervishes. The Halveti zikr, Mevlevi semas, and the Gharib, or secret, sema-not seen for over 100 years-were filmed in Cairo, Istanbul, and the Garden of Rumi in Konya. This unique footage set to Mevlevi music is enhanced by interviews with Sheikh Abu Bakr Siraj ad-Din (Martin Lings), Islamic philosopher and author Seyyed Hossein Nasr, and Sheikh Omer Tugrel Inancer, who reveals the hidden meaning of the reed flute.

The story of Nisar Ahmed Khan, told through his children and the people he served, a spiritual guide whose followers still visit his tomb on his birth and death anniversaries. And alongside how his family spends a few days at the village keeping his traditions alive.

The story of the Hare Krishna movement in the West, contrasting the spiritual exploration of its devotees with the leadership's systemic, long-term cover-up of criminality, moral decay and abuse of power.

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Is My Living in Vain is a meditation on the continuing history and emancipatory potential of the Black church as a space of belonging, affirmation and community organising. Combining shot footage, oral histories and archive material from both sides of the Atlantic, the film follows a tangled thread of personal and collective memories to interrogate the church’s contribution to a Black radical tradition.

Sanctuary explores queer spirituality and utopian sexualities through the figure of Purusha Androgyne Larkin (1934–1988), a monk, pioneering gay filmmaker, and self-proclaimed cosmic-erotic mystic. Larkin’s 1981 book, 'The Divine Androgyne According to Purusha', challenged repression with a spiritual vision rooted in eroticism and presented a radical path to cosmic-erotic consciousness through ‘extreme’ forms of sexual pleasure. Sanctuary explores Larkin's attempt to form a utopian, pleasure-based spiritual community, and considers the complex legacies of his ideas in queer culture. Shot on 16mm, the film weaves together the voices of Larkin’s friends and followers, creating a portrait in absentia of a figure ahead of his time.