The views and thoughts of Canadian writer Margaret Atwood have never been more relevant than today. Readers turn to her work for answers as they confront the rise of authoritarian leaders, deal with increasingly intrusive technologies, and discuss climate change. Her books are useful as survival tools for hard times. But few know her private life. Who is the woman behind the stories? How does she always seem to know what is coming?

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A portrait of the brilliant American writer Truman Capote (1924-84) and the New York high society of his time.

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The brilliant Czech writer Milan Kundera has not given an interview in thirty years; nor does he appear in public. How did he become a legendary author? What is so unique about his books?

A fascinating exploration of the literary — The Tragedy of Othello, the Moor of Venice, by English playwright William Shakespeare (1604) — and lyrical — Othello, by Italian opera composer Giuseppe Verdi (1887) — myth of Othello, the desperately tragic story of a Moorish general in the army of the Venetian Republic whose absurd jealousy poisons his love for his wife Desdemona.

On January 31, 1857, the French writer Gustave Flaubert (1821-80) took his place in the dock for contempt of public morality and religion. The accused, the real one, is, through him, Emma Bovary, heroine with a thousand faces and a thousand desires, guilty without doubt of an unforgivable desire to live.

A radical cinematic investigation into the myth of Hamlet, the avenging prince of Denmark, William Shakespeare's creature; his origins and his unending influence on many diverse cultures.

A look at the intimacy of the US writer Ernest Hemingway (1899-1961), a man infinitely more complex than his public image suggested, through the story of his relationship with his four wives.

An account of the life and work of the Spanish poet Luis García Montero; a journey through his experiences, his mentors, his influences and his contact with other artists, both from the literary world and from other disciplines.

The US writer Henry Miller (1891-1980), scandalous and nonconformist creator, hated by the most recalcitrant puritans, was a vilified genius, considered a threat, accused of being a sexist, of consciously pursuing the destruction of every civic principle; but he was also someone venerated as a saint, as a sex guru; and today as one of the most important characters of the twentieth century.

In 1991, American Psycho, the third novel by controversial writer Bret Easton Ellis, provoked heated discussions among critics and readers alike; an extraordinarily disturbing book that transported its readers into the mind of Patrick Bateman, a cynical mergers and acquisitions executive obsessed with brands, inconsequential details, pop culture and brutal murder.