Tramp, Tramp, Tramp

In late 19th century France, the Countess Louise, wife of a wealthy general, sells the earrings her husband gave her on their wedding day to pay off her secret debts, then claims to have lost them. Her husband quickly learns of the deceit, which is the beginning of many tragic misunderstandings, all involving the earrings, the general, the countess, and her new lover, the Italian Baron Donati.

To ensure a full profitable season, circus manager Brad Braden engages The Great Sebastian, though this moves his girlfriend Holly from her hard-won center trapeze spot. Holly and Sebastian begin a dangerous one-upmanship duel in the ring, while he pursues her on the ground.

A general store clerk and aspiring detective investigates a mysterious disappearance that took place quite close to an empty insane asylum.

On the lam, criminal Alonzo hides in the circus as The Armless Wonder—a performer who uses his feet to hurl knives. Alonzo keeps the arms he really has concealed to hide his identity. Meanwhile, ringmaster's daughter Nanon has a phobia of being touched by men, but is romantically pursued by not only Alonzo but the strongman Malabar. Alonzo's desperation to remain with Nanon will only end in tragedy.

After a baron steals his scientific discoveries, runs away with his wife, and slaps him in public, a man joins a Parisian circus sideshow as a clown whose act consists of being slapped repeatedly and becomes infatuated with a showgirl colleague whose father intends to marry her off to the baron.

When a proud noble refuses to kiss the hand of the despotic King James in 1690, he is cruelly executed and his son surgically disfigured.

A man with an umbrella emerges from his grave to be momentarily reunited with his lost loved one.

A masked criminal who dresses like a giant bat terrorizes the guests at an old house rented by a mystery writer.

Silent about two clumsy glaziers.

The movie is about dictatorships in Greece – first, the Metaxas regime (1936-1940), and then the Colonels’ Junta (1967-74). In Part One, the Metaxas regime is depicted as a circus, where Thanasis (Thanasis Vengos) is a clown trying to conceal a young colleague’s subversive action. In Part Two, we see Thanasis suffer because of his honesty and kindness, in a country where the system’s irrationality is clearly evident.

Brothers Keiji and Ryoichi move to a new neighborhood in the Tokyo suburbs after their father, an office clerk, is promoted. The boys join the local gang as lowly new kids and emerge as natural leaders after defeating a bully. While visiting the home of their father's boss, the brothers witness the ridicule their father endures to please his superior. Angry and embarrassed, the boys find their naive ideas about power being challenged.

Charles Abbott is implicated in the death of his friend Escobar, brother to the woman he loves.