Personal accounts from the Alta actions in the years 1979 to 1981. Large police forces were deployed against the demonstrators. The dispute over the Alta river began as an environmental issue, but became a major turning point for the Sámi people's struggle for equal rights in Norway.

No description available.

Wildlife cameraman Gordon Buchanan travels to the frozen north, deep inside the Arctic Circle, to meet the ancient Sami people and the animals they hold so close - reindeer.

About being young and Sámi, focusing on the topics, pride, love and conflict. Isabel moves from her mother in Stockholm to her father in Jokkmokk. Amoc rap in Aanaarsämikielâ, Inari Sámi, a language used among 400 people. Alette doesn't feel like a Sámi. Thomas is a drummer, snowboards and dream of being an actor. The skier Tonje always fall in love with a Sámi. Why? Jon is adopted from Colombia and joiks a lot. Thomas and Petra plan for their future. Ritva loves horseback riding. Amanda likes theatre and politics. Vocalist Sandra wonders how much Sámi she is. Johan is brought up in a religious home where music is prohibited. Aslak love scooters. Marit was bullied in school because she is a Sámi.

Sami reindeer herders win a Supreme Court victory against Europe’s largest wind farm - but when the state refuses to act, their fight reveals a deeper crisis of justice and trust.

The documentary Rap and Reindeer follows the life of 18-year-old Sámi rapper Mihkku Laiti, who lives in the northernmost corner of Sámiland. The film is a coming-of-age story, following Mihku on his journey towards a career as a musician and rise to stardom in the midst of varying expectations. He’s charmed the crowd on Talent Suomi and proudly wears the Sámi clothing he has styled himself. He raps and yoiks in harmony, designs his own brand on his computer but also masters the skill of laborious reindeer herding. Above all, he sees his own unique roots and the Sámi language as his greatest strength. The future makes him wonder: to follow his father’s footsteps or to reach for his dreams.

Two parallel stories are gradually unfolding the everyday life of two very different persons - that of 86-year-old Sara and 7-year-old Mihka - both residing in Guovdageaidnu - Kautokeino, in the middle of the Norwegian arctic tundra, through the drastic change of the arctic seasons and the passage from the long winter’s darkness to the never-ending light of the summer season.

Off The Mark is a documentary about a world-first dog sled expedition in Finnmark, Norway, in the middle of the polar night in search of microplastics and indigenous solutions to the climate crisis.

Acoustic Ocean is an artistic exploration of the sonic ecology of marine life in the North Atlantic. Located on the Lofoten Islands in Northern Norway, the video centers on the performance of a marine-biologist diver who is using a life-size model of a submersible equipped with all sorts of hydrophones and recording devices. In this science-fictional quest, her task is to sense the submarine space for acoustic and bioluminescent forms of expression.

A documentary about Sami comic artist Mats Jonsson and his relative Stor-Stina. Her remains were long believed to have been lost in a fire but were recently found and returned to her home town of Malå to be buried.

The AssimiNation is a political pamphlet portraying the indigenous Sámi people fighting for their existence. The film follows the on going cultural genocide of the Sámi which the current Governmental politics allow. This film is a cry for help for the last indigenous people living in the EU.

Sámi artefacts from the Finnish National Museum are returning home to Sápmi, while the holy drums of the Sámi people are still imprisoned in the basements of museums across Europe. The returning objects symbolise the dignity, identity, history, connection to ancestors and a whole world view that was taken from the Sámi people. Director Suvi West takes the viewer behind the scenes of the museum world to reflect on the spirit of the objects, the inequality of cultures and the colonialist burden of museums.