A story of three escort girls living in Ikebukuro, Tokyo. They work at the same escort service while feeling lonely in their urban lives.

Tragedy strikes a married couple vacationing in the Moroccan desert, which jumpstarts an interlocking story involving four different families.

Two lost souls visiting Tokyo -- the young, neglected wife of a photographer and a washed-up movie star shooting a TV commercial -- find an odd solace and pensive freedom to be real in each other's company, away from their lives in America.

A year has passed in postwar Tokyo, and struggling writer Chagawa enters the Akutagawa Prize competition in hopes of securing a better future for the boy in his care, while the Suzuki family unexpectedly take in a new relative who looks down on their humble way of life.

Shibuya in Tokyo, a city that continues to change due to redevelopment. At a house in the corner of Shibuya, Ai dreaming of a model, Mizuho working for the editorial department of a magazine, and musician Erika live together. This story is about the modest cohabitation of the three.

A made for TV movie that would be loosely remade as Magnitude 7.9 or DEATHQUAKE

In postwar Tokyo, Noriko lives with her extended family. Although she enjoys her career and her social life, her more traditional family worries about her single marital status at the advanced age of 28. 40-year-old business associate Takako proposes, Noriko's family press her into accepting, but when her widowed childhood friend Kenkichi returns to the neighborhood, she finds her heart leading in another direction.

Widower Shuhei Hirayama's caretaker is his 24-year-old daughter, Michiko. Gradually, he comes to realize that Michiko should not be obliged to look after him for the rest of his life, so he arranges a marriage for her.

Brash businessman Hideki (Arata Iura) convinces his Tokyo bosses he can turn a profitless Montana cattle ranch into a premiere-performing asset. However, when his Japanese Wagyu-beef expert fails him, Hideki is poised to fail unless he identifies a missing element that's key to the transformation: himself.

This psychedelic tour of life after death is seen entirely from the point of view of Oscar, a young American drug dealer and addict living in Tokyo with his prostitute sister, Linda. When Oscar is killed by police during a bust gone bad, his spirit journeys from the past -- where he sees his parents before their deaths -- to the present -- where he witnesses his own autopsy -- and then to the future, where he looks out for his sister from beyond the grave.

Mr. Takazawa, an elderly invalid who is cared for at his home by Haruko, a young nursing student, is chosen by the Japanese Ministry of Public Welfare to test the Z-001, a computerized hospital bed with robotic features that allegedly displays more efficiency and skills than any human nurse, but Haruko mistrusts a machine unable to consider human feelings.

Keiko, whom everyone calls Mama, narrates her story: she's a hostess on the Ginza, 30, a widow. She describes life's vicious cycle: acting cheerful around drunks, dressing and living well to convey confidence, needing money for these expenses and for her demanding mother and brother, and knowing she's growing older.