Gentle, easy-going Or Kia moves from the countryside to Kuala Lumpur to work for his cousin and best friend Ah Soon, a mid-level gangster and enforcer. While Or Kia works hard to put a sister through school, Ah Soon cares for an unstable girlfriend prone to mysterious disappearances. As they both sink deeper into a nocturnal world of debts, drugs, and betrayal, Or Kia's loyalties are strained when Ah Soon falls out of favor with the bosses and tries to escape the business.

Part mournful meditation through documentary footage, part experimental narrative. This film looks at the life of the Chinese who have been displaced within their own society.

Due to his history of theft in the past, Lin Kuan is falsely accused of stealing from his high school classmate. To prove his innocence, Lin enlists his friend Xiao Bing to make a plan that will clear his name. However, heir seemingly perfect plan takes a turn that pushes Lin to a dangerous edge.

The father tells his daughter Nunu a lie that there is a cow in her milk cup. She believes it and drinks up milk, but there isn't any cow. Her father tells her a variety of lies, which Nunu finds increasingly difficult to believe.

Hong Kong, at the height of the protests. A young woman visits her father, whom she has not seen for a while. Her plan is to have lunch with him before the Umbrella Movement reaches a critical juncture. Celebrated, committed filmmaker Ying Liang contributed with a beautiful moving short with an special angle asking: Where do we live, and what is citizenship?

A policeman investigates an introverted signal-station manager suspected of raping a hotel clerk.

A 17 year old boy from a village in the Sechuan province leaves for the big city looking for his father, who left 6 years before and has not been heard of since. The fact that his mother still receives money his father does nothing to tame his anger. He his not looking for a warm reunion, it is unconcealed revenge that drives him. Totally lost, he roams the big city with his basket of ducks on his back...

Two men -- one elderly, one in his twenties -- are touched by tragedies linked to a single source in this drama from Malaysian filmmaker Woo Ming Jin.

Xuan is a young man working in the film industry in Beijing. To make a documentary film that he wants to present at international festivals, he decides to take advantage of the holidays of the Day of the Dead to return to Chengdu, his hometown located at the other end of the country. The documentary he is about to make is about his relationship with his own lover. He leaves for Chengdu, accompanied by another man, Bo, the cameraman of the film. The two men take the train to Chengdu where Hong, Xuan's lover, is waiting for them. From the first moment of their arrival at the station, Xuan and Bo begin to turn with their camera, Xuan having already explained to Bo what he wanted to film and that Hong would always be "playing", Bo then trusting in Xuan. But Hong is more and more opposed to this camera and the presence of Bo.

Coming back to her broken family, pregnant writer Huang Xiaoyu and her French husband, Benjamin, finds herself trapped between her cult brainwashed mother, Li Jiumei, and her secretly homosexual father, Huang Tao.

Four college students from Shandong University of Technology planned to make a documentary about the folk culture of ghosts and spirits. They went to a village in Heze City, Shandong Province, and made some interviews with local villagers. During the interviews, they heard a lot of local weird tales. The shooting of the documentary went smoothly, and that night, they chose to stay in the village. At this point, strange things, however, began to happen...

The Chinese police visit head-teacher Chen at home. Her daughter, a dissident filmmaker living in Hong Kong, plans yet another critical film about China's colonization of the small autonomous territory. The authorities demand that Chen travel to her daughter to stop the film project. What they do not take into account is that Chen and her daughter lost contact long ago.