In the heat of summer, Fabrizio is desperate to find the right time and place to make out with Nadia, his longtime girlfriend. With frustration building because his best laid plans are constantly getting interrupted, he comes up with a novel solution — but it will take more than just one teen boy to make it happen.

Daphne is a young woman negotiating the tricky business of modern life. Caught in the daily rush of her restaurant job and a nightlife kaleidoscope of new faces, she is witty, funny, the life of the party. Too busy to realise that deep down she is not happy. When she saves the life of a shopkeeper stabbed in a failed robbery, the impenetrable armour she wears to protect herself begins to crack, and Daphne is forced to confront the inevitability of a much-needed change in her life.

Journalists Ichiro Sakai and Junko cover the wreckage of a typhoon when an enormous egg is found and claimed by greedy entrepreneurs. Mothra's fairies arrive and are aided by the journalists in a plea for its return. As their requests are denied, Godzilla arises near Nagoya and the people of Infant Island must decide if they are willing to answer Japan's own pleas for help.

In this sequel to Dawn: Portrait of a Teenage Runaway, Alexander's story is told in both the past and the present. Alexander's parents send him away from home for being too sensitive and not helping enough on their farm. He goes to Los Angeles in hopes of going to art school, but when he can't find a job as a minor, he turns to prostitution. After being arrested, he wants to head to Arizona to marry Dawn, but he falls into a lucrative job/relationship with a gay football star.

A teenage girl is captured by a giant mutated squid-like creature that appears from Seoul's Han River after toxic waste was dumped in it, prompting her family into a frantic search for her.

Lewis, a brilliant young inventor, is keen on creating a time machine to find his mother, who abandoned him in an orphanage. Things take a turn when he meets Wilbur Robinson and his family.

In Mexico, two teenage boys and an attractive older woman embark on a road trip and learn a thing or two about life, friendship, sex, and each other.

A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.

The lives of a motherless young man, who's just starting to find interest in women, and his physically abused, poverty stricken friend, are mixed with more or less innocent childhood experiences and challenges most their age experience.

In her last year of secondary school, a bright Indonesian student is determined to pursue her education and resist getting married, despite the expectations of her community.

Martha is unhappy with her life as it is at the moment, and among other issues, she has decided to give up her writing career. Along with that decision comes a need to get away from her husband and from her psychiatrist, with whom she has had more than just a doctor-patient relationship. As Martha travels through a deserted city landscape in a storm, the external world reflects something of her inner turmoil. Flashbacks are interspersed throughout the film to enhance the suspense of Martha's inner and outer journey.

A teenager fails to find (and keep) jobs which makes his father doubt the reason might be the boy's lack of sexual experience. As all his efforts prove to be unsuccessful, the father gives up, but not the boy's aunt.