Once upon a time there was a large Finnish company called Nokia that manufactured the world’s best and most innovative mobile phones. Nokia’s annual budget was larger than that of the Government of Finland and their phones spread everywhere and changed the whole culture of communication. But then something changed. Film portrays the rise and fall of Nokia and the Finnish mobile phone industry. Nokia engineers, designers and managers tell their story about the creation, success and downfall of the Finnish mobile phone.

NOTHING TO HIDE is an independent documentary dealing with surveillance and its acceptance by the general public through the "I have nothing to hide" argument. The documentary was produced and directed by a pair of Berlin-based journalists, Mihaela Gladovic and Marc Meillassoux. It was crowdfunded by over 400 backers. NOTHING TO HIDE questions the growing, puzzling and passive public acceptance of massive corporate and governmental incursions into individual and group privacy and rights. After the emotion initially triggered by the Snowden revelations, it seems that the general public has finally accepted to live in a monitored digital world.

On June 11th, 1997, Philippe Kahn created the first camera phone solution to share pictures instantly on public networks. The impetus for this invention was the birth of Kahn's daughter, when he jerry-rigged a mobile phone with a digital camera and sent photos in real time. In 2016 Time Magazine included Kahn's first camera phone photo in their list of the 100 most influential photos of all time.

In just a few years, Elon Musk has become one of the most influential and wealthy men on the planet. Although the Tesla brand has revolutionized the image of the electric car, Elon Musk remains a great innovator in the business world. For him, there are no limits: satellites, houses, urban tunnels... But what attracts Elon Musk the most is space, which remains his favorite playground. Recently, he developed reusable rockets that have transformed space travel.

William Shatner presents a light-hearted look at how the "Star Trek" TV series have influenced and inspired today's technologies, including: cell phones, medical imaging, computers and software, SETI, MP3 players and iPods, virtual reality, and spaceship propulsion.

A look-behind-the-scenes at a television development that could be in everyone's home in just a few years' time. Reporter Angela Rippon tells the story of CEEFAX - the BBC's latest form of broadcasting. She visits Kingswood Warren where BBC Research Department 'boffins' developed it; and looks at some of its uses: News, weather, travel, sports results, farm prices and business information.

REVOLUTION OS tells the inside story of the hackers who rebelled against the proprietary software model and Microsoft to create GNU/Linux and the Open Source movement.

A documentary about the development and spread of the virtual currency called Bitcoin.

A new, original documentary from Connecticut Public, Fake: Searching for Truth in the Age of Misinformation, takes on this topic, just in time for the 2020 election season. Viewers will learn how and why misinformation spreads, and how to be a smarter information consumer in our increasingly digital world.

A thought provoking documentary feature film providing a comprehensive exploration of the evolution of signals intelligence over the past century. Whether you're intrigued by the secretive world of intelligence agencies or concerned about the implications of digital surveillance, this film will leave you with a deeper understanding of the role signals intelligence plays in society.

The life and career of the hailed Hollywood movie star and underappreciated genius inventor, Hedy Lamarr.

Destroy All Humans is a documentary exploring AI’s rise in art and media through an existential, experimental lens. At its center is HOVERBORG, a fictional band whose AI-generated music sparked questions about creativity and authenticity. Through interviews with musicians, artists, and media professionals, the film reflects on the unsettling shift toward hyperpersonalized media and asks: In a world shaped by algorithms, will we still recognize ourselves in the art we consume?