On the surface, the Kyobashis appear to be a happy family. Despite a family agreement that they are all open with each other, the entire household knows the opposite is true.

The story of two women, Glenda and Maita, both breadwinners and both work in a motel. One works as a receptionist for it, the other uses it for her profession.

Based on a 2016 novel by Mana Sakura, “The Lowlife” shows the stories of three women who work in Japan’s adult video industry.

This erotically charged drama traces the intersecting stories of a group of employees and visitors at a notorious "love hotel" in Tokyo's red-light district.

A call-girl named Yumi and Tetsuro, a married man with a debt to the yakuza, have a violent rendezvous in a cheap love hotel. Years later, haunted by the memory of that night, they reconnect and begin a strange love affair. Determined to finish what they started, they return to the scene of their first macabre passion.

The hotel becomes a temporary shelter for different people facing different situations.

There is an old love hotel in Tokyo's Shinjuku district where couples can rent a room by the hour for romantic assignations. However, few of its regular customers seem to come there for sexual encounters; the hotel has become a hangout for rootless teenagers, senior citizens looking for a place to relax, and kids that play under the watchful eye of its owner...

Set at the Hotel Royal, situated in the marshland of Hokkaido, Japan, and follows the guests, the family that runs the hotel, and the hotel's staff. Masayo Tanaka is the only child of the family that runs Hotel Royal. She failed to enter an arts school and she now works at the hotel. She does not show her emotions to anyone.

A high school girl and a teacher form a relationship but the man was arrested on suspicion of indecent conduct. Three years later, the man quit his job as a teacher, worked as a salesman for a general company, had a girlfriend, and was about to get engaged. Then, one day, in town, the two of them had a fateful reunion...

The night shift clerk at a sex hotel, suffering from narcolepsy, is faced with a night when things are unusually busy and housekeeping finds a gun in room 6.

Made in Japan, Last Room is both fiction and documentary. The occupants of the love-hotels and capsule-hotels tell their own intimate, dreamlike stories, interspersed with journeys through the archipelago's landscapes. Soon, these personal stories resonate with a collective history: that of Gunkanjima, the abandoned ghost island of Nagasaki, and then that of Japan as a whole.

Monsieur Feydeau has writer's block and he needs a new play, so he takes an opportunity to observe his upper class neighbors of 1900 Paris. There is Monsieur Boniface with hard domineering wife Angelique; also, Monsieur Cotte with beautiful but neglected wife Marcelle. Henri Cotte traces architectural anomalies (mostly "ghost" sounds in the drain pipes) and plans a night at the Hotel Paradiso, which happens to be the chosen romantic rendezvous spot of Marcelle and Monsieur Boniface. One wife, two husbands, a nephew, and the perky Boniface maid, all at this 'by the hour' hotel and consummation of the affair is, to say the least, severely compromised (not the least by a police raid). All of this is under Feydeau's eye, and his play is the 'success fou' of the next season.