Jake Blues, just released from prison, puts his old band back together to save the Catholic home where he and his brother Elwood were raised.

A death row inmate turns for spiritual guidance to a local nun in the days leading up to his scheduled execution for the murders of a young couple.

Sunny, a priest, comes to know that Vavachan is running an old age home with vile intentions. He wants the corpses of the inmates for the medical college run by his son. Sunny decides to expose this.

After her drug pusher boyfriend overdoses on heroin, a cabaret singer finds refuge from the authorities in a convent for fallen women.

Three young Irish women struggle to maintain their spirits while they endure dehumanizing abuse as inmates of a Magdalene Sisters Asylum.

Dr. John Carpenter takes the job of running a health center in a low-income district. He enlists three women to help out who — unbeknownst to him — are actually nuns in street clothes. The church wants to improve the neighborhood but fears that nuns in full habit would not be well received. Unaware of her unavailability, John falls for Sister Michelle, serenading her with his guitar — which, luckily for him, effectively wears away at her religious resolve.

Tomaz, an ex-soldier now homeless in London, is offered a place to stay at a decaying house, inhabited by a young woman and her dying mother. As he starts to fall for Magda, Tomaz cannot ignore his suspicion that something insidious might also be living alongside them.

“In a world that often demands certainty, Dialogues des Carmélites invites us to sit with profound questions that have no easy answers: What makes a life worthy? How can we be truly prepared for our inevitable end? What does security mean when everything familiar is threatened? What sustains us when our institutions crumble? … Rather than imposing answers, the opera creates room for reflection on how faith manifests not as abstract doctrine, but as lived experience under extraordinary pressure.” — Louisa Muller, Director’s Note. Juilliard Opera directed by Louisa Muller. Matthew Aucoin conducts the Juilliard Orchestra. Performed and recorded on April 26, 2025 at the Peter Jay Sharp Theater. Dialogues des Carmélites, an opera by Francis Poulenc. Libretto adapted by the composer.

In eighteenth-century France, a girl is forced against her will to take vows as a nun. Three mothers superior treat her in radically different ways, ranging from maternal concern, to sadistic persecution, to lesbian desire.

Two men, part tramp, part pilgrim, are on their way from France to Santiago de Compostela in Spain. On their way, they meet a vast assortment of characters—some truculent, some violent, and some bizarre; they experience many adventures—some mysterious, some erotic, some even supernatural.

A bank robber seeks refuge in a desert gas station run by nuns, awaiting her boyfriend's release. An alien meteorite transforms her into a flesh-craving monster with a monstrous tongue, while her poodles become drag queens.

A charismatic 17th-century French priest becomes the target of a sexually obsessed nun’s witchcraft accusations, which corrupt church and state officials are all too happy to exploit.​​​​​​​​​​​​​​​​