The Persian Version

Tucker and Hamid are going to be grandfathers for the first time, but only if they can come together long enough to save their first-born grandchild.

Shirin is struggling to become an ideal Persian daughter, politically correct bisexual and hip young Brooklynite but fails miserably in her attempt at all identities.

A transparent look into the life of Iranian immigrants in America. Sholeh and her husband Nasser carry out their evening routine in a ritual they are both accustomed to but nonetheless deeply grateful for.

In the aftermath of a breakup, a struggling filmmaker becomes seduced by his therapist while his ex-girlfriend grapples with her identity and where to go next.

The Dawn is Too Far: Stories of Iranian-American Life poetically narrates the story of a community of Iranian Americans who have made the San Francisco Bay Area their home over the past five decades. The film explores Iranian immigration through turbulent histories of dissent, revolution, war, and separation, and the reinvention of identity in a new land and culture. The Dawn is Too Far highlights how Iranian students, activists, and artists have navigated displacement while drawing on and influencing Bay Area culture. This community offers a more nuanced story of the Iranian diaspora—the ways that this community enriches the region where they live, work, and build families. The Dawn is Too Far undermines the tired and overplayed news headlines that are dominated by narratives of enmity and mistrust between the government of Iran and the U.S., to offer a more humane understanding of the how people's lives and the sacrifices they make are part of the larger story of immigration.

A group of Chinese refugees and straggler soldiers, led by a machinist, defend their mountain town, "Gezhi," against a surprise attack by Japanese reconnaissance troops in a desperate fight using civilian ingenuity against a trained military force.

‘Pinjar’ is an evocative meditation on captivity—of bodies, of spirits, of choices—unfolding through the entangled lives of five individuals and a wild bird.

A dreamlike drama produced by and starring Sugino Kiki, a rising star in the independent film world. Two women who meet on a mysterious resort island become captivated by its allure and venture into an ethereal realm. It is the second feature directed by Malaysian filmmaker Lim Kah Wai. Japanese Kiki (Sugino) and South Korean Kkobbi (Kim Kkobbi) arrive on Hong Kong's Lantau Island. They have both rented rooms at a hotel near the Mui Wo forest, but when they enter the lobby, the only other person around is a bellboy.

Uday meets an ambitious and independent girl named Shweta and ends up falling in love with her. After she refuses to date him he sought advice from a love guru.

Two opposing gangs. Two individuals from either side of the dispute. In Judas, watch as they come together and share a moment during a seemingly innocent game of basketball.

An unknown calamity is killing off ninety-percent of mankind. There is no cure, no hope and no future. A man and woman, who are laden with suffering and anxiety, are drawn together. They spend their final days, and perhaps the final days of the planet, together in a different environment somewhere in central Japan of the near future.

28-year-old Taeko Kase works at an event company. One day, she makes a mistake at work and is reprimanded by her boss Hiroki Itokawa. Making things worse, Taeko Kase is dumped by her boyfriend. Later, Taeko Kase follows the recommendation of cafe clerk Haruto Takagi’s and joins a dating app. With Haruto Takagi’s advice, she decides to meet Makoto Hasegawa from the app.