
Antônio Carlos Gomes: Lo Schiavo
Overview
Lo schiavo was conceived as a politically engaged work. However, the issue was rather volatile and the composer had to change the contemporary time setting to a more distant one. In Brazil the opera was a triumph, but elsewhere it failed to gain popularity and soon fell into oblivion. This recording of the Teatro Lirico di Cagliari’s production documents the opera’s first performance in modern times and reveals Gomes’ flamboyant richness of melodic creativity, his sound grasp of construction, and a technical mastery of the theatrical mechanisms that are always of the highest level.
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Svetla Vassileva
Svetla Vassileva
Ilara
Svetla Vassileva
Ilara


Massimiliano Pisapia
Massimiliano Pisapia
Américo
Massimiliano Pisapia
Américo
Andrea Borghini
Andrea Borghini
Iberê
Andrea Borghini
Iberê
Marco Puggioni
Marco Puggioni
Guaruco
Marco Puggioni
Guaruco
Daniele Terenzi
Daniele Terenzi
Gianfera
Daniele Terenzi
Gianfera
Francesco Musinu
Francesco Musinu
Tupinambá
Francesco Musinu
Tupinambá
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