Katoey meets three people in rural Thailand who are clearly and confidently women even though their bodies are male. Integrated to an impressive degree into society, these women have successfully overcome the difference between their physical and mental genders.

Two lovers - Jordan, a transfemme nonbinary person, and Taz, a semi-closeted/figuring-it-out bi/pan dude trying to reconcile what it might mean for them to date in public - hash things out over a post-coital morning.

After 20 years in space, Rocko returns to a technologically advanced O-Town and makes it his mission to get his favorite show back on the air.

In this intimate portrait addressed directly to Hélène Hazera, filmmaker Judith Abitbol revisits a key figure of France’s countercultures from the late 1960s to the 1990s. A member of the Gazolines and the FHAR (Homosexual Front for Revolutionary Action), Hazera was a tireless LGBTQ activist who founded Act Up’s Trans and AIDS commissions—one of her proudest achievements. Her true victory, however, was becoming the first transgender journalist at a major national newspaper (Libération), and later a producer at Radio France and France TV. Through her story, Abitbol reconnects with the insurrectionary spirit and creative chaos of those decades—an era when French culture was shaken by radical imagination, humor, and defiance. The film celebrates these modern Antigones who dared to live their desires beyond the reach of any law.

Myron Breckinridge flies to Europe to get a sex-change operation and is transformed into the beautiful Myra. She travels to Hollywood, meets up with her rich Uncle Buck and, claiming to be Myron's widow, demands money. Instead, Buck gives Myra a job in his acting school. There, Myra meets aspiring actor Rusty and his girlfriend, Mary Ann. With Myra as catalyst, the trio begin to outrageously expand their sexual horizons.

Colloquially-told story of a few days in the life of Marieta, who's saving money for the last operation in her change from man to woman. She works as a prostitute in Madrid and longs for a legitimate job. Whenever she builds up her savings, her housemate and best friend Tomás finds ways to spend, lose, or cost her those funds. She meets Raúl, whom she likes and who likes her; the trouble is he also likes that part of her she wants removed. If that's not enough, she also has narcolepsy, and when she conks out, she dreams of musical-theater numbers in which she's the singing and dancing star. Are these dreams always going to be 20 centimeters out of reach?

It's the big day of Mathias' confirmation, where he will confirm being a Christian and enter adulthood. Mathias is transgender and just wants to be a normal teenage boy. His mother does everything to protect him, but who is this day really about?

A trans-sexual man return to his hometown to finish the bureaucratic process to become officially a male. But the public servant who should implement this simple bureaucratic operation is Giorgio, his first and only boyfriend.

On a hot summer day, Paloma decides to fulfill her most cherished dream: a traditional wedding in a church with her boyfriend Zé. She is a devoted mother, a hard-working farmhand in a papaya plantation and has been saving to afford the celebration. The priest’s refusal to marry her and Zé will force Paloma to confront the rural society. She suffers violence, betrayal, prejudice and injustice but nothing shakes the faith and determination of this transgender woman.

A pre-operative transsexual defies social barriers to announce to her boss and mother her intentions of marrying her lover Maurice.

A truly major work, I Don’t Know observes the relationship between a lesbian and a transgender person who prefers to be identified somewhere in between male and female, in an expression of personal ambiguity suggested by the film’s title. This nonfiction film – an unusual, partly staged work of semi-verité – is the first of Spheeris’s films to fully embrace what would become her characteristic documentary style: probing, intimate, uncompromising. Preserved by the Academy Film Archive in 2014.

In the midst of a marital crisis, Fikret befriends the singer Solmaz and has to step in as a father figure for her daughter, who is about to get married.