
Cellar Door
Drama
Overview
After a woman comes into contact with photographs from an archive, she reflects on her existence through her memories and the memories printed on photographs.
Top Cast


Luana Campos
Luana Campos
Mulher
Luana Campos
Mulher
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July, 1941. After the beginning of the German invasion, an Italian soldier, a veteran of the colonial wars, is sent to the Soviet front. As he remembers the fairy tales his Russian mother used to tell him, the train he is travelling in crosses Europe on its way to the vast Ukrainian plains, where the enemy and a cruel winter await him… (Based on the experiences of several Italian soldiers.)

Two adult siblings, confined to their childhood home, live under the lingering presence of their parents, whose memory is mirrored in a portrait on the wall. They strive to preserve their existence through a “sacred ceremony” of nourishment and cleansing. Trapped in the family’s gilded cage, they become both inmates and bathers, with heightened senses that console and are consoled, faithful to rituals that have vanished from modern times, where everyone is violated by the rush of time. In a classic urban house, marked by decay, they tend to each other like young mammals in the wild— with love, with exposure, with violence, frustration, and shame.

A film about peace, love and war. Dedicated to the 100th anniversary of the end of the Civil War in Russia. The film takes place at the end of the summer of 1917, when Russia and the whole world were at a crossroads between two eras. None of the people could even imagine how much his life would change in the very near future. In a strange way, the atmosphere of the film echoes our current reality and what is happening in Russia today. According to the form of visualization, the film belongs to experimental mockumentary cinema. To give greater authenticity to what is happening on the screen, the shooting was carried out on black-and-white negatives of 16 and 35 mm, hand-operated cameras were used and the material was developed in manual spiral tanks. The documentary chronicle of the Kolchak army of 1919 and the White army in the Far East of 1922 is embedded in the finale of the film.

















