One year after the Korean War, the conflict had reached a stalemate. The two opposing forces began to search for a way to end the grueling war of attrition, eventually settling on a modest village called ‘Pan Mun Jom’ near Gaeseong as the designated site for negotiations. Despite initial hopes for a quick resolution, the negotiating parties encountered obstacles that prevented an agreement. Disputes over the military demarcation line and the repatriation of prisoners of war thwarted their efforts. The film peels back the layers to reveal the untold story of Pan Mun Jom, shedding light on a history that has remained hidden until now.

Copyright Criminals examines the creative and commercial value of musical sampling, including the related debates over artistic expression, copyright law, and (of course) money. This documentary traces the rise of hip-hop from the urban streets of New York to its current status as a multibillion-dollar industry. For more than thirty years, innovative hip-hop performers and producers have been re-using portions of previously recorded music in new, otherwise original compositions. When lawyers and record companies got involved, what was once referred to as a “borrowed melody” became a “copyright infringement.” The film showcases many of hip-hop music’s founding figures like Public Enemy, De La Soul, and Digital Underground—while also featuring emerging hip-hop artists from record labels Definitive Jux, Rhymesayers, Ninja Tune, and more.

A group of women climbs a summer mountain situated in South Korea. They are refugees who have settled into South Korean society after fleeing from North Korea. For them, climbing the mountains has been an unavoidable journey for survival - a matter of life and death.

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One of the major works by South Korean feminist film collective Kaidu Club, this short is a dynamic, idiosyncratic, and mosaic-like portrait of Korean life, culture, and people who dream of a unified North and South.

Star Wars fans, party clowns, scientists, a Rolling Stones tribute band, a private detective, teachers, artists, DJ's, magazine editors, top legal scholars, FBI agents, corporate litigators and many more tell an "extraordinary" tale about how ownership of ideas has come into conflict with free expression. "Willful Infringement", which premiered 2003 at the San Francisco Museum of Modern Art, has been acclaimed as an entertaining, surprising and sometime shocking report from the front lines of intellectual property. This movie has screened at the Andy Warhol Museum in Pittsburgh, the Seattle Art Museum, the Franklin Institute of Science in Philadelphia, at the 17th Leeds International Film Festival, and at numerous universities, law schools and cultural events.

RiP!: A Remix Manifesto is a 2008 open source documentary film about the "the changing concept of copyright" directed by Brett Gaylor.

Directors Twila Raftu and Shaun Cronin explore the controversial issue of free data exchange and the growing impact of copyright legislation, intellectual property laws and digital rights management from the viewpoint of those dedicated to the unregulated flow of creative products and information. Advocates of "free culture," including Xbox hacker Andrew "Bunnie" Huang and underground rapper Adam "Doseone" Drucker, offer opinions and commentary.

What is the state of cinema and what being a filmmaker means? What are the measures taken to protect authors' copyright? What is their legal status in different countries? (Sequel to “Filmmakers vs. Tycoons.”)

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TPB AFK is a documentary about three computer addicts who redefined the world of media distribution with their hobby homepage The Pirate Bay. How did Tiamo, a beer crazy hardware fanatic, Brokep a tree hugging eco activist and Anakata – a paranoid hacker libertarian – get the White House to threaten the Swedish government with trade sanctions? TPB AFK explores what Hollywood’s most hated pirates go through on a personal level.

Ryun-hee Kim, a North Korean housewife, was forced to come to South Korea and became its citizen against her will. As her seven years of struggle to go back to her family in North Korea continues, the political absurdity hinders her journey back to her loved ones. The life of her family in the North goes on in emptiness, and she fears that she might become someone, like a shadow, who exists only in the fading memory of her family.​