Co-curated by Jenni Olson and the late Black gay activist Karl Knapper, this entertaining showcase of vintage movie trailers traces the evolution of African American cinema through its most crucial period, 1952-1976. Filled with insights on race and social dynamics, this fascinating compendium of coming attractions explores an extensive range of stylistic approaches—Blaxploitation, Comedy, Music Bio, Plantation Drama and more—offering an outrageous joyride through motion picture history. Beyond mere camp, these marvelously condensed gems crystallize a range of African American identities and personalities, tracking the meteoric careers of Sidney Poitier, James Earl Jones, Billy Dee Williams, Richard Pryor, Pam Grier and others through their bold performances in movies both hugely popular and practically forgotten. Afro Promo provides a compact glimpse at the representation of African Americans through twenty-five dynamic years of American cinema history.

Film archivist and former director of the San Francisco Lesbian and Gay Film Festival Jenni Olson created this fast-paced and often funny, campy 75-minute film comprised entirely of spliced together movie trailers. Some of the segments have themes such as a breezy look back at John Travolta's career that includes trailers from such films as Saturday Night Fever, Staying Alive, Grease, Perfect, and Moment by Moment. Other trailers include Mae West in Sextette, the disco camper Thank God It's Friday, Raquel Welch in Kansas City Bomber, Pier Paolo Pasolini's The Gospel According to St. Matthew and the rarely seen Chastity, the serious acting debut of Cher.

In 1975, soon after the end of the Vietnam War, Hoa Thi Le and Hue Nguyen Che fled the country on a small boat. After nine days at sea, they docked in the Philippines, where they were utilized as background extras for “Apocalypse Now.”

WINHANGANHA (Wiradjuri language: Remember, know, think) - is a lyrical journey of archival footage and sound, poetry and original composition. It is an examination of how archives and the legacies of collection affect First Nations people and wider Australia, told through the lens of acclaimed Wiradjuri artist, Jazz Money.

A sock puppet explores a family history told from the perspective of a mother and father.

Celebrating the splendor and grandeur of the great cinemas of the United States, built when movies were the acme of entertainment and the stories were larger than life, as were the venues designed to show them. The film also tracks the eventual decline of the palaces, through to today’s current preservation efforts. A tribute to America’s great art form and the great monuments created for audiences to enjoy them in.

Chinese teenagers from the wealthy elite, with big American dreams, settle into a boarding school in small-town Maine. As their fuzzy visions of the American dream slowly gain more clarity, their relationship to home takes on a poignant new aspect.

In early 19th century New England, an unscrupulous woman uses her beauty and wits to seduce, deceive and control the men around her.

As the solar eclipse of 2024 races towards Houlton, Maine - a township of approximately 6,000 people - they must find a way to host 40,000 stargazing strangers the only way they know how: with open arms and open hearts.

In the early 1900s commercial loggers cut down an old growth spruce tree growing on a small island surrounded by tide pools on the coast of Maine. Out of the trunk of this ancient tree grew two new trees, side by side.

Beneath the millions of gallons of water that flow into homes across eastern Massachusetts is a story of buried history, scientific discovery, & individual hopes & dreams destroyed in the name of progress. Edward Klekowski, a UMass biology professor with a passion for scuba diving, chronicles an unprecedented search for the remains of four lost towns under the Quabbin Reservoir in Belchertown, MA

Lake gazes down at a still body of water from a birds-eye view, while a group of artists peacefully float in and out of the frame or work to stay at the surface. As they glide farther away and draw closer together, they reach out in collective queer and desirous exchanges — holding hands, drifting over and under their neighbors, making space, taking care of each other with a casual, gentle intimacy while they come together as individual parts of a whole. The video reflects on notions of togetherness and feminist theorist Silvia Federici’s call to “reconnect what capitalism has divided: our relation with nature, with others, and our bodies.”